The Model as Performance

Staging Space in Theatre and Architecture

Nonfiction, Art & Architecture, Architecture, Design & Drafting, Entertainment, Performing Arts, Theatre, History & Criticism
Cover of the book The Model as Performance by Thea Brejzek, Lawrence Wallen, Joslin McKinney, Stephen A. Di Benedetto, Professor Scott Palmer, Bloomsbury Publishing
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Author: Thea Brejzek, Lawrence Wallen, Joslin McKinney, Stephen A. Di Benedetto, Professor Scott Palmer ISBN: 9781474271394
Publisher: Bloomsbury Publishing Publication: November 16, 2017
Imprint: Methuen Drama Language: English
Author: Thea Brejzek, Lawrence Wallen, Joslin McKinney, Stephen A. Di Benedetto, Professor Scott Palmer
ISBN: 9781474271394
Publisher: Bloomsbury Publishing
Publication: November 16, 2017
Imprint: Methuen Drama
Language: English

The Model as Performance investigates the history and development of the scale model from the Renaissance to the present. Employing a scenographic perspective and a performative paradigm, it explores what the model can do and how it is used in theatre and architecture. The volume provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition.

Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality, that challenges and redefines the relationship between object, viewer and environment.

The Model as Performance was shortlisted for the best Performance Design & Scenography Publication Award at the Prague Quadrennial (PQ) 2019.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Model as Performance investigates the history and development of the scale model from the Renaissance to the present. Employing a scenographic perspective and a performative paradigm, it explores what the model can do and how it is used in theatre and architecture. The volume provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition.

Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality, that challenges and redefines the relationship between object, viewer and environment.

The Model as Performance was shortlisted for the best Performance Design & Scenography Publication Award at the Prague Quadrennial (PQ) 2019.

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