The Musical Rhetoric of the Polish Baroque

The Musical Rhetoric of the Polish Baroque

Nonfiction, Entertainment, Music, Music Styles, Religious, Theory & Criticism, History & Criticism, Reference
Cover of the book The Musical Rhetoric of the Polish Baroque by Tomasz Jasinski, Peter Lang
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tomasz Jasinski ISBN: 9783653998504
Publisher: Peter Lang Publication: April 30, 2015
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften Language: English
Author: Tomasz Jasinski
ISBN: 9783653998504
Publisher: Peter Lang
Publication: April 30, 2015
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Language: English

This book looks at the rich means of text interpretation in seventeenth and eighteenth century Polish music, a relatively unknown phenomenon. The works of old Polish masters exhibit many ingenious and beautiful solutions in musical oration, which will appeal to wide circles of lovers and experts of old music. One of the fundamental components of baroque musical poetics was music-rhetorical figures, which were the main means of shaping expression – the base and quintessence of musical rhetoric. It was by means of figures that composers built the musical interpretation of a verbal text, developing pictorial, emphatic, onomatopoeic, symbolic, and allegorical structures that rendered emotions and meanings carried by the verbal level of a musical piece.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book looks at the rich means of text interpretation in seventeenth and eighteenth century Polish music, a relatively unknown phenomenon. The works of old Polish masters exhibit many ingenious and beautiful solutions in musical oration, which will appeal to wide circles of lovers and experts of old music. One of the fundamental components of baroque musical poetics was music-rhetorical figures, which were the main means of shaping expression – the base and quintessence of musical rhetoric. It was by means of figures that composers built the musical interpretation of a verbal text, developing pictorial, emphatic, onomatopoeic, symbolic, and allegorical structures that rendered emotions and meanings carried by the verbal level of a musical piece.

More books from Peter Lang

Cover of the book Necesidades y tendencias en la formación del profesorado de español como lengua extranjera by Tomasz Jasinski
Cover of the book Why Not Her? by Tomasz Jasinski
Cover of the book Uncovering Black Heroes by Tomasz Jasinski
Cover of the book «Inter duas potestates»: The Religious Policy of Theoderic the Great by Tomasz Jasinski
Cover of the book Die innerstaedtische Auseinandersetzung in Regensburg am Ende der Reichsunmittelbarkeit by Tomasz Jasinski
Cover of the book Metamorfosis Discursivas by Tomasz Jasinski
Cover of the book Interpreting Quebecs Exile Within the Federation by Tomasz Jasinski
Cover of the book Schnittfelder von Bauleitplanung und raumbezogenen Fachplanungen by Tomasz Jasinski
Cover of the book Applicative Arguments by Tomasz Jasinski
Cover of the book Der Brief im deutschen Drama des 18. und 19. Jahrhunderts by Tomasz Jasinski
Cover of the book Fighting Academic Repression and Neoliberal Education by Tomasz Jasinski
Cover of the book Die Gesellschaft zwischen Pathos und Nuechternheit by Tomasz Jasinski
Cover of the book Aesthetik des Schwingens by Tomasz Jasinski
Cover of the book Schweizerisches Jahrbuch fuer Kirchenrecht. Bd. 19 (2014) / Annuaire suisse de droit ecclésial. Vol. 19 (2014) by Tomasz Jasinski
Cover of the book Le cosmopolitisme, de la ville au politique by Tomasz Jasinski
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy