The Myth of José Martí

Conflicting Nationalisms in Early Twentieth-Century Cuba

Fiction & Literature, Literary Theory & Criticism, Caribbean & West Indian, Nonfiction, Social & Cultural Studies, Political Science
Cover of the book The Myth of José Martí by Lillian Guerra, The University of North Carolina Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lillian Guerra ISBN: 9780807876381
Publisher: The University of North Carolina Press Publication: March 13, 2006
Imprint: The University of North Carolina Press Language: English
Author: Lillian Guerra
ISBN: 9780807876381
Publisher: The University of North Carolina Press
Publication: March 13, 2006
Imprint: The University of North Carolina Press
Language: English

Focusing on a period of history rocked by four armed movements, Lillian Guerra traces the origins of Cubans' struggles to determine the meaning of their identity and the character of the state, from Cuba's last war of independence in 1895 to the consolidation of U.S. neocolonial hegemony in 1921. Guerra argues that political violence and competing interpretations of the "social unity" proposed by Cuba's revolutionary patriot, Jose Marti, reveal conflicting visions of the nation--visions that differ in their ideological radicalism and in how they cast Cuba's relationship with the United States.

As Guerra explains, some nationalists supported incorporating foreign investment and values, while others sought social change through the application of an authoritarian model of electoral politics; still others sought a democratic government with social and economic justice. But for all factions, the image of Marti became the principal means by which Cubans attacked, policed, and discredited one another to preserve their own vision over others'. Guerra's examination demonstrates how competing historical memories and battles for control of a weak state explain why polarity, rather than consensus on the idea of the "nation" and the character of the Cuban state, came to define Cuban politics throughout the twentieth century.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Focusing on a period of history rocked by four armed movements, Lillian Guerra traces the origins of Cubans' struggles to determine the meaning of their identity and the character of the state, from Cuba's last war of independence in 1895 to the consolidation of U.S. neocolonial hegemony in 1921. Guerra argues that political violence and competing interpretations of the "social unity" proposed by Cuba's revolutionary patriot, Jose Marti, reveal conflicting visions of the nation--visions that differ in their ideological radicalism and in how they cast Cuba's relationship with the United States.

As Guerra explains, some nationalists supported incorporating foreign investment and values, while others sought social change through the application of an authoritarian model of electoral politics; still others sought a democratic government with social and economic justice. But for all factions, the image of Marti became the principal means by which Cubans attacked, policed, and discredited one another to preserve their own vision over others'. Guerra's examination demonstrates how competing historical memories and battles for control of a weak state explain why polarity, rather than consensus on the idea of the "nation" and the character of the Cuban state, came to define Cuban politics throughout the twentieth century.

More books from The University of North Carolina Press

Cover of the book The Gymnasium of Virtue by Lillian Guerra
Cover of the book Who Controls Public Lands? by Lillian Guerra
Cover of the book Religion and Political Conflict in Latin America by Lillian Guerra
Cover of the book The Politics of Economic Decline in East Germany, 1945-1989 by Lillian Guerra
Cover of the book Archives of Dispossession by Lillian Guerra
Cover of the book German Social Democracy and the Rise of Nazism by Lillian Guerra
Cover of the book Southern Cultures: Remembering the Civil War Issue by Lillian Guerra
Cover of the book The Latino Generation by Lillian Guerra
Cover of the book Exchanging Our Country Marks by Lillian Guerra
Cover of the book One Fantastic Ride by Lillian Guerra
Cover of the book Modernization as Ideology by Lillian Guerra
Cover of the book Isma'ili Modern by Lillian Guerra
Cover of the book Alan M. Wald's American Literary Left Trilogy, Omnibus E-Book by Lillian Guerra
Cover of the book Mexican Village by Lillian Guerra
Cover of the book Hitler's Children by Lillian Guerra
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy