The Old and the New Magic

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Old and the New Magic by Henry Ridgely Evans, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Henry Ridgely Evans ISBN: 9781465620217
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Henry Ridgely Evans
ISBN: 9781465620217
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

The very word magic has an alluring sound, and its practice as an art will probably never lose its attractiveness for people’s minds. But we must remember that there is a difference between the old magic and the new, and that both are separated by a deep chasm, which is a kind of color line, for though the latter develops from the former in a gradual and natural course of evolution, they are radically different in principle, and the new magic is irredeemably opposed to the assumptions upon which the old magic rests. Magic originally meant priestcraft. It is probable that the word is very old, being handed down to us from the Greeks and Romans, who had received it from the Persians. But they in their turn owe it to the Babylonians, and the Babylonians to the Assyrians, and the Assyrians to the Sumero-Akkadians. Imga in Akkad meant priest, and the Assyrians changed the word to maga, calling their high-priest Rab-mag; and considering the fact that the main business of priests in ancient times consisted in exorcising, fortune-telling, miracle-working, and giving out oracles, it seems justifiable to believe that the Persian term, which in its Latin version is magus, is derived from the Chaldæan and is practically the same; for the connotation of a wise man endowed with supernatural powers has always been connected with the word magus, and even to-day magician means wizard, sorcerer, or miracle-worker. While the belief in, and practice of, magic are not entirely absent in the civilization of Israel, we find that the leaders of orthodox thought had set their faces against it, at least as it appeared in its crudest form, and went so far as to persecute sorcerers with fire and sword.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The very word magic has an alluring sound, and its practice as an art will probably never lose its attractiveness for people’s minds. But we must remember that there is a difference between the old magic and the new, and that both are separated by a deep chasm, which is a kind of color line, for though the latter develops from the former in a gradual and natural course of evolution, they are radically different in principle, and the new magic is irredeemably opposed to the assumptions upon which the old magic rests. Magic originally meant priestcraft. It is probable that the word is very old, being handed down to us from the Greeks and Romans, who had received it from the Persians. But they in their turn owe it to the Babylonians, and the Babylonians to the Assyrians, and the Assyrians to the Sumero-Akkadians. Imga in Akkad meant priest, and the Assyrians changed the word to maga, calling their high-priest Rab-mag; and considering the fact that the main business of priests in ancient times consisted in exorcising, fortune-telling, miracle-working, and giving out oracles, it seems justifiable to believe that the Persian term, which in its Latin version is magus, is derived from the Chaldæan and is practically the same; for the connotation of a wise man endowed with supernatural powers has always been connected with the word magus, and even to-day magician means wizard, sorcerer, or miracle-worker. While the belief in, and practice of, magic are not entirely absent in the civilization of Israel, we find that the leaders of orthodox thought had set their faces against it, at least as it appeared in its crudest form, and went so far as to persecute sorcerers with fire and sword.

More books from Library of Alexandria

Cover of the book Charles Rex by Henry Ridgely Evans
Cover of the book The Works of Hubert Howe Bancroft: The Native Races, Myths and Languages by Henry Ridgely Evans
Cover of the book Of the Original Contract by Henry Ridgely Evans
Cover of the book Madame Sans-Gêne: Roman tiré de la Pièce de Mm. Victorien Sardou et Émile Moreau, La Maréchale, et Le Roi de Rome (Complete) by Henry Ridgely Evans
Cover of the book Beethoven's Symphonies Critically Discussed by Henry Ridgely Evans
Cover of the book A Journal of the Swedish Embassy in the Years 1653 and 1654 by Henry Ridgely Evans
Cover of the book Old and New Paris: Its History, its People and its Places (Complete) by Henry Ridgely Evans
Cover of the book An Act in a Backwater by Henry Ridgely Evans
Cover of the book It was a Lover and his Lass by Henry Ridgely Evans
Cover of the book Voodoos and Obeahs: Phases of West india Witchcraft by Henry Ridgely Evans
Cover of the book The History of The Ten "Lost" Tribes: Anglo-Israelism Examined by Henry Ridgely Evans
Cover of the book History of Egypt, Chaldæa, Syria, Babylonia and Assyria (Complete) by Henry Ridgely Evans
Cover of the book The Book of John Concerning the Falling Asleep of Mary by Henry Ridgely Evans
Cover of the book Cours Familier De Littérature: Un Entretien Par Mois (Complete) by Henry Ridgely Evans
Cover of the book Reptiles and Birds: A Popular Account of Their Various Orders, With a Description of the Habits and Economy of the Most Interesting by Henry Ridgely Evans
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy