The Painted Bed

Poems

Fiction & Literature, Poetry, American
Cover of the book The Painted Bed by Donald Hall, HMH Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Donald Hall ISBN: 9780547347059
Publisher: HMH Books Publication: May 7, 2003
Imprint: Mariner Books Language: English
Author: Donald Hall
ISBN: 9780547347059
Publisher: HMH Books
Publication: May 7, 2003
Imprint: Mariner Books
Language: English

Donald Hall's fourteenth collection opens with an epigraph from the Urdu poet Faiz: "The true subject of poetry is the loss of the beloved." In that poetic tradition, as in THE PAINTED BED, the beloved might be a person or something else - life itself, or the disappearing countryside. Hall's new poems further the themes of love, death, and mourning so powerfully introduced in his WITHOUT (1998), but from the distance of passed time. A long poem, "Daylilies on the Hill 1975 - 1989," moves back to the happy repossession of the poet's old family house and its history - a structure that "persisted against assaults" as its generations of residents could not. These poems are by turns furious and resigned, spirited and despairing - "mania is melancholy reversed," as Hall writes in another long poem, "Kill the Day." In this book's fourth and final section, "Ardor," the poet moves toward acceptance of new life in old age; eros reemerges.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Donald Hall's fourteenth collection opens with an epigraph from the Urdu poet Faiz: "The true subject of poetry is the loss of the beloved." In that poetic tradition, as in THE PAINTED BED, the beloved might be a person or something else - life itself, or the disappearing countryside. Hall's new poems further the themes of love, death, and mourning so powerfully introduced in his WITHOUT (1998), but from the distance of passed time. A long poem, "Daylilies on the Hill 1975 - 1989," moves back to the happy repossession of the poet's old family house and its history - a structure that "persisted against assaults" as its generations of residents could not. These poems are by turns furious and resigned, spirited and despairing - "mania is melancholy reversed," as Hall writes in another long poem, "Kill the Day." In this book's fourth and final section, "Ardor," the poet moves toward acceptance of new life in old age; eros reemerges.

More books from HMH Books

Cover of the book Landscape Turned Red by Donald Hall
Cover of the book Curious Baby My First Words at the Zoo by Donald Hall
Cover of the book Bloody Jack Series by Donald Hall
Cover of the book Draw What You See by Donald Hall
Cover of the book Piggy Pie Po by Donald Hall
Cover of the book Webster's New World Grant Writing Handbook by Donald Hall
Cover of the book Don't Look Back by Donald Hall
Cover of the book Betty Crocker Quick & Healthy Meals: HMH Selects by Donald Hall
Cover of the book The Best American Mystery Stories of the Nineteenth Century by Donald Hall
Cover of the book CliffsNotes on Doerr's All the Light We Cannot See by Donald Hall
Cover of the book The Little Book of Big What-Ifs by Donald Hall
Cover of the book Camouflage by Donald Hall
Cover of the book The Old Farmer's Almanac for Kids, Volume 6 by Donald Hall
Cover of the book Tracking Trash by Donald Hall
Cover of the book The Body of Christopher Creed by Donald Hall
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy