The Philosophy of Christopher Nolan

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture, Religion & Spirituality, Philosophy
Cover of the book The Philosophy of Christopher Nolan by Jason T. Eberl, George A. Dunn, George A. Dunn, Jason T. Eberl, J. L. A. Garcia, Lance Belluomini, Joseph J. Foy, Timothy M. Dale, Kevin S. Decker, Jason Burke Murphy, Deborah Knight, George McKnight, Dennis Knepp, Karen D. Hoffman, Jamie Carlin Watson, William A. Lindenmuth, Lexington Books
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Author: Jason T. Eberl, George A. Dunn, George A. Dunn, Jason T. Eberl, J. L. A. Garcia, Lance Belluomini, Joseph J. Foy, Timothy M. Dale, Kevin S. Decker, Jason Burke Murphy, Deborah Knight, George McKnight, Dennis Knepp, Karen D. Hoffman, Jamie Carlin Watson, William A. Lindenmuth ISBN: 9781498513531
Publisher: Lexington Books Publication: June 20, 2017
Imprint: Lexington Books Language: English
Author: Jason T. Eberl, George A. Dunn, George A. Dunn, Jason T. Eberl, J. L. A. Garcia, Lance Belluomini, Joseph J. Foy, Timothy M. Dale, Kevin S. Decker, Jason Burke Murphy, Deborah Knight, George McKnight, Dennis Knepp, Karen D. Hoffman, Jamie Carlin Watson, William A. Lindenmuth
ISBN: 9781498513531
Publisher: Lexington Books
Publication: June 20, 2017
Imprint: Lexington Books
Language: English

As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the same visual qualities and complex, thought-provoking plotlines his audience anticipates. The Philosophy of Christopher Nolan collects sixteen essays, written by professional philosophers and film theorists, discussing themes such as self-identity and self-destruction, moral choice and moral doubt, the nature of truth and its value, whether we can trust our perceptions of what’s “real,” the political psychology of heroes and villains, and what it means to be a “viewer” of Nolan’s films. Whether his protagonists are squashing themselves like a bug, struggling to create an identity and moral purpose for themselves, suffering from their own duplicitous plots, donning a mask that both strikes fear and reveals their true nature, or having to weigh the lives of those they love against the greater good, there are no simple solutions to the questions Nolan’s films provoke; exploring these questions yields its own reward.

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As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the same visual qualities and complex, thought-provoking plotlines his audience anticipates. The Philosophy of Christopher Nolan collects sixteen essays, written by professional philosophers and film theorists, discussing themes such as self-identity and self-destruction, moral choice and moral doubt, the nature of truth and its value, whether we can trust our perceptions of what’s “real,” the political psychology of heroes and villains, and what it means to be a “viewer” of Nolan’s films. Whether his protagonists are squashing themselves like a bug, struggling to create an identity and moral purpose for themselves, suffering from their own duplicitous plots, donning a mask that both strikes fear and reveals their true nature, or having to weigh the lives of those they love against the greater good, there are no simple solutions to the questions Nolan’s films provoke; exploring these questions yields its own reward.

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