The Poetics of the Kunstlerinroman and the Aesthetics of the Sublime

Nonfiction, Social & Cultural Studies, Social Science
Cover of the book The Poetics of the Kunstlerinroman and the Aesthetics of the Sublime by Evy Varsamopoulou, Taylor and Francis
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Author: Evy Varsamopoulou ISBN: 9781351726542
Publisher: Taylor and Francis Publication: February 6, 2018
Imprint: Routledge Language: English
Author: Evy Varsamopoulou
ISBN: 9781351726542
Publisher: Taylor and Francis
Publication: February 6, 2018
Imprint: Routledge
Language: English

This title was first published in 2002: This study of the poetics of the Romantic K nstlerinroman (female artist novel) brings to the foreground its salient metafictional discourse on the aesthetics of the sublime, ever since its beginnings in Madame de Sta l's "Corinne ou L'Italie". The book presents detailed readings of H.D.'s "Palimpsest", Christa Wolf's "Nachdenken ber Christa T." and Marguerite Duras' "L'Amant" in a dialogue with Kant, Freud, Lacan, Cixous, Derrida and other philosophers, theorists, literary critics and writers. Each novel is explored in terms of its generic affiliations, its reflections on the role of literature and the writer in society and its aesthetic discourse on the sublime. The book stages an inquiry into the relation between genre, the sublime, gender and literary history from which emerge insights into the conditions of subjectivity underlying the experience and communication of the sublime.

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This title was first published in 2002: This study of the poetics of the Romantic K nstlerinroman (female artist novel) brings to the foreground its salient metafictional discourse on the aesthetics of the sublime, ever since its beginnings in Madame de Sta l's "Corinne ou L'Italie". The book presents detailed readings of H.D.'s "Palimpsest", Christa Wolf's "Nachdenken ber Christa T." and Marguerite Duras' "L'Amant" in a dialogue with Kant, Freud, Lacan, Cixous, Derrida and other philosophers, theorists, literary critics and writers. Each novel is explored in terms of its generic affiliations, its reflections on the role of literature and the writer in society and its aesthetic discourse on the sublime. The book stages an inquiry into the relation between genre, the sublime, gender and literary history from which emerge insights into the conditions of subjectivity underlying the experience and communication of the sublime.

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