The Portrayal and Punishment of Terrorists in Western Media

Playing the Villain

Nonfiction, Social & Cultural Studies, Political Science, International, International Security, Social Science
Cover of the book The Portrayal and Punishment of Terrorists in Western Media by Christiana Spens, Springer International Publishing
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Author: Christiana Spens ISBN: 9783030048822
Publisher: Springer International Publishing Publication: December 29, 2018
Imprint: Palgrave Macmillan Language: English
Author: Christiana Spens
ISBN: 9783030048822
Publisher: Springer International Publishing
Publication: December 29, 2018
Imprint: Palgrave Macmillan
Language: English

This book explores how terrorists have been portrayed in the Western media, and the wider ideological and social functions of those representations. Developing a theory of scapegoating related to narrative closure, as well as an integrated, genealogical method of intervisuality, the book proposes a new way of thinking about how political images achieve power and influence the public. By connecting modern portrayals of terrorists (post-9/11) with historical and fictional images of villains from Western cultural history, the book argues that the portrayal and punishment of terrorists in the Western media implicitly perpetuates neo-Orientalist attitudes. It also explains that by repeating these narrative patterns through a ritual of scapegoating, Western media coverage of terrorists partakes in a social process that uses punishment, dehumanization and colonialist ideas to purge the iconic ‘villain’, so as to build national unity and sustain hegemonic power following crisis.

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This book explores how terrorists have been portrayed in the Western media, and the wider ideological and social functions of those representations. Developing a theory of scapegoating related to narrative closure, as well as an integrated, genealogical method of intervisuality, the book proposes a new way of thinking about how political images achieve power and influence the public. By connecting modern portrayals of terrorists (post-9/11) with historical and fictional images of villains from Western cultural history, the book argues that the portrayal and punishment of terrorists in the Western media implicitly perpetuates neo-Orientalist attitudes. It also explains that by repeating these narrative patterns through a ritual of scapegoating, Western media coverage of terrorists partakes in a social process that uses punishment, dehumanization and colonialist ideas to purge the iconic ‘villain’, so as to build national unity and sustain hegemonic power following crisis.

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