The Prose and Verse of Alfred Lichtenstein
Fiction & Literature, Literary Theory & Criticism, European
| Author: | Sheldon Gilman | ISBN: | 9781469109961 |
| Publisher: | Xlibris US | Publication: | July 18, 2000 |
| Imprint: | Xlibris US | Language: | English |
| Author: | Sheldon Gilman |
| ISBN: | 9781469109961 |
| Publisher: | Xlibris US |
| Publication: | July 18, 2000 |
| Imprint: | Xlibris US |
| Language: | English |
A Prussian Jew, killed in the second month of the First World War at the age
of 25, 18 years before his father died, apparently of natural causes, and 28
years before his mother and two of his siblings were killed by the Nazis,
Lichtenstein left no overtly autobiographical writings. Some of his poems
clearly reflect his own painful experiences, both as a civilian and a
soldier, and the figure of Kuno Kohn, the hunchback poet whose psychological
agony informs some of his fiction and a few of his poems, critics agree
represents their creators grotesque alter ego. His sarcastic remarks about
lawyers would seem to reflect his own experience as a student of law. Some
drawings and a photograph of him have survived, and his contemporaries wrote
about him sparingly.
Most of the attention Lichtenstein has received from posterity so far
concentrates on his poetry, which generally is classified as expressionist.
Paratactic, stripped of most rhetorical ornaments, his short fiction,
bearing resemblances to Kafka, is at least as strange as his poetry.
A Prussian Jew, killed in the second month of the First World War at the age
of 25, 18 years before his father died, apparently of natural causes, and 28
years before his mother and two of his siblings were killed by the Nazis,
Lichtenstein left no overtly autobiographical writings. Some of his poems
clearly reflect his own painful experiences, both as a civilian and a
soldier, and the figure of Kuno Kohn, the hunchback poet whose psychological
agony informs some of his fiction and a few of his poems, critics agree
represents their creators grotesque alter ego. His sarcastic remarks about
lawyers would seem to reflect his own experience as a student of law. Some
drawings and a photograph of him have survived, and his contemporaries wrote
about him sparingly.
Most of the attention Lichtenstein has received from posterity so far
concentrates on his poetry, which generally is classified as expressionist.
Paratactic, stripped of most rhetorical ornaments, his short fiction,
bearing resemblances to Kafka, is at least as strange as his poetry.
