The Rolling Stones

Sociological Perspectives

Nonfiction, Entertainment, Music, Music Styles, Jazz & Blues, Blues
Cover of the book The Rolling Stones by Andrea Baker, Matteo Bortolini, Andrea Cossu, Marlie Centawer, Daniel M. Downes, June Madeley, Jason T. Eastman, Barry J. Faulk, Andre Millard, Michael Skladany, Peter Smith, Lexington Books
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Author: Andrea Baker, Matteo Bortolini, Andrea Cossu, Marlie Centawer, Daniel M. Downes, June Madeley, Jason T. Eastman, Barry J. Faulk, Andre Millard, Michael Skladany, Peter Smith ISBN: 9780739176726
Publisher: Lexington Books Publication: June 3, 2013
Imprint: Lexington Books Language: English
Author: Andrea Baker, Matteo Bortolini, Andrea Cossu, Marlie Centawer, Daniel M. Downes, June Madeley, Jason T. Eastman, Barry J. Faulk, Andre Millard, Michael Skladany, Peter Smith
ISBN: 9780739176726
Publisher: Lexington Books
Publication: June 3, 2013
Imprint: Lexington Books
Language: English

The Rolling Stones: Sociological Perspectives, edited by Helmut Staubmann, draws from a broad spectrum of sociological perspectives to contribute both to the understanding of the phenomenon Rolling Stones and to an in-depth analysis of contemporary society and culture that takes The Stones a starting point. The contributors approach the Rolling Stones from a range of social science perspectives including cultural studies, communication and film studies, gender studies, and the sociology of popular music. The chapters in this volume focus on the question of how the worldwide success of the Rolling Stones over the course of more than half a century reflects society and the transformation of popular culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Rolling Stones: Sociological Perspectives, edited by Helmut Staubmann, draws from a broad spectrum of sociological perspectives to contribute both to the understanding of the phenomenon Rolling Stones and to an in-depth analysis of contemporary society and culture that takes The Stones a starting point. The contributors approach the Rolling Stones from a range of social science perspectives including cultural studies, communication and film studies, gender studies, and the sociology of popular music. The chapters in this volume focus on the question of how the worldwide success of the Rolling Stones over the course of more than half a century reflects society and the transformation of popular culture.

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