The Routledge Companion to Embodied Music Interaction

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book The Routledge Companion to Embodied Music Interaction by , Taylor and Francis
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Author: ISBN: 9781317219729
Publisher: Taylor and Francis Publication: September 19, 2017
Imprint: Routledge Language: English
Author:
ISBN: 9781317219729
Publisher: Taylor and Francis
Publication: September 19, 2017
Imprint: Routledge
Language: English

The Routledge Companion to Embodied Music Interaction captures a new paradigm in the study of music interaction, as a wave of recent research focuses on the role of the human body in musical experiences. This volume brings together a broad collection of work that explores all aspects of this new approach to understanding how we interact with music, addressing the issues that have roused the curiosities of scientists for ages: to understand the complex and multi-faceted way in which music manifests itself not just as sound but also as a variety of cultural styles, not just as experience but also as awareness of that experience.

With contributions from an interdisciplinary and international array of scholars, including both empirical and theoretical perspectives, the Companion explores an equally impressive array of topics, including:

  • Dynamical music interaction theories and concepts

    Expressive gestural interaction

    Social music interaction

    Sociological and anthropological approaches

    Empowering health and well-being

    Modeling music interaction

    Music-based interaction technologies and applications

This book is a vital resource for anyone seeking to understand human interaction with music from an embodied perspective.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Routledge Companion to Embodied Music Interaction captures a new paradigm in the study of music interaction, as a wave of recent research focuses on the role of the human body in musical experiences. This volume brings together a broad collection of work that explores all aspects of this new approach to understanding how we interact with music, addressing the issues that have roused the curiosities of scientists for ages: to understand the complex and multi-faceted way in which music manifests itself not just as sound but also as a variety of cultural styles, not just as experience but also as awareness of that experience.

With contributions from an interdisciplinary and international array of scholars, including both empirical and theoretical perspectives, the Companion explores an equally impressive array of topics, including:

This book is a vital resource for anyone seeking to understand human interaction with music from an embodied perspective.

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