The San Francisco of Alfred Hitchcock's Vertigo

Place, Pilgrimage, and Commemoration

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The San Francisco of Alfred Hitchcock's Vertigo by , Scarecrow Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780810881235
Publisher: Scarecrow Press Publication: December 15, 2011
Imprint: Scarecrow Press Language: English
Author:
ISBN: 9780810881235
Publisher: Scarecrow Press
Publication: December 15, 2011
Imprint: Scarecrow Press
Language: English

In Sight and Sound magazine's 2012 poll of the greatest films of all time, Vertigo placed at the top of the list, supplanting Citizen Kane. A favorite among critics, it also made the American Film Institute's 100 Years, 100 Movies where it ranked in the top 10. Often regarded as Hitchcock's most personal work, the film explores such themes as obsession, exploitation, and voyeurism.

In The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage, and Commemoration, Douglas A. Cunningham has assembled provocative essays that examine the uniquely integrated relationship that the 1958 film enjoys with the histories and cultural imaginations of California and, more specifically, the San Francisco Bay Area. Contributors to this collection ponder a number of topics such as the ways in which Vertigo resurrects the narratives of San Francisco's violent past; how sightseeing informs the act of watching the film; the significance that landmarks in the film hold in our collective cultural memory; and the variety of ways in which Vertigo enthusiasts commemorate the film. The essays also ask larger questions about the specificities of place and the role such specificities play in our comprehensive efforts to understand this layered and seminal film.

Because of its interdisciplinary approach, The San Francisco of Alfred Hitchcock's Vertigo will have a broad appeal to scholars of film, anthropology, geography, ethnic studies, the history of California and the West, tourism, and, of course, anyone with an abiding interest in the work of Alfred Hitchcock.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Sight and Sound magazine's 2012 poll of the greatest films of all time, Vertigo placed at the top of the list, supplanting Citizen Kane. A favorite among critics, it also made the American Film Institute's 100 Years, 100 Movies where it ranked in the top 10. Often regarded as Hitchcock's most personal work, the film explores such themes as obsession, exploitation, and voyeurism.

In The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage, and Commemoration, Douglas A. Cunningham has assembled provocative essays that examine the uniquely integrated relationship that the 1958 film enjoys with the histories and cultural imaginations of California and, more specifically, the San Francisco Bay Area. Contributors to this collection ponder a number of topics such as the ways in which Vertigo resurrects the narratives of San Francisco's violent past; how sightseeing informs the act of watching the film; the significance that landmarks in the film hold in our collective cultural memory; and the variety of ways in which Vertigo enthusiasts commemorate the film. The essays also ask larger questions about the specificities of place and the role such specificities play in our comprehensive efforts to understand this layered and seminal film.

Because of its interdisciplinary approach, The San Francisco of Alfred Hitchcock's Vertigo will have a broad appeal to scholars of film, anthropology, geography, ethnic studies, the history of California and the West, tourism, and, of course, anyone with an abiding interest in the work of Alfred Hitchcock.

More books from Scarecrow Press

Cover of the book Teaching the Library Research Process by
Cover of the book Do We Still Need Peer Review? by
Cover of the book Historical Dictionary of French Theater by
Cover of the book Historical Dictionary of Jainism by
Cover of the book The Golden Age of American Musical Theatre by
Cover of the book Historical Dictionary of the Baha'i Faith by
Cover of the book German Radical Pietism by
Cover of the book Surveillance on Screen by
Cover of the book Serge Chaloff by
Cover of the book Historical Dictionary of Bangladesh by
Cover of the book The A to Z of Jehovah's Witnesses by
Cover of the book Perspectives on Knowledge Management by
Cover of the book James M. Cain by
Cover of the book The A to Z of Ethics by
Cover of the book Law Librarianship in the Digital Age by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy