The Scottish Legendary

Towards a poetics of hagiographic narration

Fiction & Literature, Literary Theory & Criticism, Medieval, British, Anthologies
Cover of the book The Scottish Legendary by Eva von Contzen, Manchester University Press
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Author: Eva von Contzen ISBN: 9781526100276
Publisher: Manchester University Press Publication: May 3, 2016
Imprint: Manchester University Press Language: English
Author: Eva von Contzen
ISBN: 9781526100276
Publisher: Manchester University Press
Publication: May 3, 2016
Imprint: Manchester University Press
Language: English

This is the first book-length study of the Scottish Legendary of the late fourteenth century. The only extant collection of saints' lives in the vernacular from medieval Scotland, the work scrutinises the dynamics of hagiographic narration, its implicit assumptions about literariness, and the functions of telling the lives of the saints. The fifty saints' legends are remarkable for their narrative art: the enjoyment of reading the legends is heightened, while didactic and edifying content is toned down. Focusing on the role of the narrator, the depiction of the saintly characters, their interiority, as well as temporal and spatial parameters, it is demonstrated that the Scottish poet has adapted the traditional material to the needs of an audience versed in reading romance and other secular genres. This study scrutinises the implications of the Scottish poet's narrative strategies with respect to the Scottishness of the Legendary and its overall place in the hagiographic landscape of late medieval Britain.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This is the first book-length study of the Scottish Legendary of the late fourteenth century. The only extant collection of saints' lives in the vernacular from medieval Scotland, the work scrutinises the dynamics of hagiographic narration, its implicit assumptions about literariness, and the functions of telling the lives of the saints. The fifty saints' legends are remarkable for their narrative art: the enjoyment of reading the legends is heightened, while didactic and edifying content is toned down. Focusing on the role of the narrator, the depiction of the saintly characters, their interiority, as well as temporal and spatial parameters, it is demonstrated that the Scottish poet has adapted the traditional material to the needs of an audience versed in reading romance and other secular genres. This study scrutinises the implications of the Scottish poet's narrative strategies with respect to the Scottishness of the Legendary and its overall place in the hagiographic landscape of late medieval Britain.

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