The Spectacle of the Real

From Hollywood to ‘Reality’ TV and Beyond

Nonfiction, Entertainment, Television, Performing Arts
Cover of the book The Spectacle of the Real by Geoff King, Intellect Books Ltd
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Author: Geoff King ISBN: 9781841509181
Publisher: Intellect Books Ltd Publication: March 1, 2005
Imprint: Intellect Language: English
Author: Geoff King
ISBN: 9781841509181
Publisher: Intellect Books Ltd
Publication: March 1, 2005
Imprint: Intellect
Language: English

Hollywood special effects offer spectacular creations or re-creations that make claims to our attention on the grounds of their ‘incredible-seeming reality’. They can appear both ‘incredible’ and ‘real’, their appeal based on their ability to ‘convince’—to appear real in terms such as detail and texture—and on their status as fabricated spectacle, to be admired as such. At a seemingly very different end of the audio-visual media spectrum, ‘reality’ television offers the spectacle of, supposedly, the ‘real’ itself, a ‘reality’ that ranges from the banality of the quotidian to intense interpersonal engagements (two extremes experienced in Big Brother, for example). The two also overlap, however, nowhere more clearly and jarringly than in the ultimate ‘spectacle of the real’, the destruction of the World Trade Center in New York, live television coverage of which evoked constant comparison with big-screen fictional images.

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Hollywood special effects offer spectacular creations or re-creations that make claims to our attention on the grounds of their ‘incredible-seeming reality’. They can appear both ‘incredible’ and ‘real’, their appeal based on their ability to ‘convince’—to appear real in terms such as detail and texture—and on their status as fabricated spectacle, to be admired as such. At a seemingly very different end of the audio-visual media spectrum, ‘reality’ television offers the spectacle of, supposedly, the ‘real’ itself, a ‘reality’ that ranges from the banality of the quotidian to intense interpersonal engagements (two extremes experienced in Big Brother, for example). The two also overlap, however, nowhere more clearly and jarringly than in the ultimate ‘spectacle of the real’, the destruction of the World Trade Center in New York, live television coverage of which evoked constant comparison with big-screen fictional images.

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