The Tudors on Film and Television

Nonfiction, History, Medieval, Entertainment, Performing Arts, Film
Cover of the book The Tudors on Film and Television by Sue Parrill, William B. Robison, McFarland & Company, Inc., Publishers
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Author: Sue Parrill, William B. Robison ISBN: 9781476600314
Publisher: McFarland & Company, Inc., Publishers Publication: February 6, 2013
Imprint: Language: English
Author: Sue Parrill, William B. Robison
ISBN: 9781476600314
Publisher: McFarland & Company, Inc., Publishers
Publication: February 6, 2013
Imprint:
Language: English

With its mix of family drama, sex and violence, Britain’s Tudor dynasty (1485–1603) has long excited the interest of filmmakers and moviegoers. Since the birth of movie-making technology, the lives and times of kings Henry VII, Henry VIII, and Edward VI and queens Mary I, Jane Grey and Elizabeth I have remained popular cinematic themes. From 1895’s The Execution of Mary Stuart to 2011’s Anonymous, this comprehensive filmography chronicles every known movie about the Tudor era, including feature films; made-for-television films, mini-series, and series; documentaries; animated films; and shorts. From royal biographies to period pieces to modern movies with flashbacks or time travel, this work reveals how these films both convey the attitudes of Tudor times and reflect the era in which they were made.

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With its mix of family drama, sex and violence, Britain’s Tudor dynasty (1485–1603) has long excited the interest of filmmakers and moviegoers. Since the birth of movie-making technology, the lives and times of kings Henry VII, Henry VIII, and Edward VI and queens Mary I, Jane Grey and Elizabeth I have remained popular cinematic themes. From 1895’s The Execution of Mary Stuart to 2011’s Anonymous, this comprehensive filmography chronicles every known movie about the Tudor era, including feature films; made-for-television films, mini-series, and series; documentaries; animated films; and shorts. From royal biographies to period pieces to modern movies with flashbacks or time travel, this work reveals how these films both convey the attitudes of Tudor times and reflect the era in which they were made.

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