The Unappeasable Shadow

Shelley's Influence on Yeats

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, British
Cover of the book The Unappeasable Shadow by Adele M. Dalsimer, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Adele M. Dalsimer ISBN: 9781315449500
Publisher: Taylor and Francis Publication: September 13, 2016
Imprint: Routledge Language: English
Author: Adele M. Dalsimer
ISBN: 9781315449500
Publisher: Taylor and Francis
Publication: September 13, 2016
Imprint: Routledge
Language: English

Yeats and his shadow are one of the most closely scrutinised pairs in contemporary literary history. The meaning and significance Yeats gave to the entity by which he was constantly pursued and with which he held frequent colloquy have been held under the critical microscope, and the shadow has emerged alternately as the course of human history, the poet’s alter-ego, his inner self, the natural man, or as anything that Yeats wanted but believed himself not to be.

This title, first published in 1988, examines the influence that Shelley had on Yeats and this ‘shadow’. The study concentrates primarily on the complex influence of Shelley’s Alastor on Yeats, tracing the problems it suggests and the questions it raises from Yeats’s early, highly imitative poems through the austere, unromantic middle poems to the late poems where Yeats sees himself as the "last of the romantics". This title will be of interest to students of literature.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Yeats and his shadow are one of the most closely scrutinised pairs in contemporary literary history. The meaning and significance Yeats gave to the entity by which he was constantly pursued and with which he held frequent colloquy have been held under the critical microscope, and the shadow has emerged alternately as the course of human history, the poet’s alter-ego, his inner self, the natural man, or as anything that Yeats wanted but believed himself not to be.

This title, first published in 1988, examines the influence that Shelley had on Yeats and this ‘shadow’. The study concentrates primarily on the complex influence of Shelley’s Alastor on Yeats, tracing the problems it suggests and the questions it raises from Yeats’s early, highly imitative poems through the austere, unromantic middle poems to the late poems where Yeats sees himself as the "last of the romantics". This title will be of interest to students of literature.

More books from Taylor and Francis

Cover of the book Mary Wollstonecraft by Adele M. Dalsimer
Cover of the book Taking Teaching Seriously by Adele M. Dalsimer
Cover of the book Corporate Imperialism by Adele M. Dalsimer
Cover of the book The Poems of Alexander Pope by Adele M. Dalsimer
Cover of the book The Popular Culture of Shakespeare, Spenser and Jonson by Adele M. Dalsimer
Cover of the book Secularisation in the Christian World by Adele M. Dalsimer
Cover of the book Economic and Social History of Medieval Europe by Adele M. Dalsimer
Cover of the book Inconceivable Conceptions by Adele M. Dalsimer
Cover of the book The Language of Humour by Adele M. Dalsimer
Cover of the book Something New In Sandwiches by Adele M. Dalsimer
Cover of the book Introduction to Air Transport Economics by Adele M. Dalsimer
Cover of the book Medea by Adele M. Dalsimer
Cover of the book CMR: Contracts for the International Carriage of Goods by Road by Adele M. Dalsimer
Cover of the book The Cerebral Computer by Adele M. Dalsimer
Cover of the book A Handbook of Corporate Communication and Public Relations by Adele M. Dalsimer
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy