The White Devil

Fiction & Literature, Drama, Nonfiction, Entertainment
Cover of the book The White Devil by John Webster, Professor Christina Luckyj, Bloomsbury Publishing
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Author: John Webster, Professor Christina Luckyj ISBN: 9781408145111
Publisher: Bloomsbury Publishing Publication: May 29, 2014
Imprint: Methuen Drama Language: English
Author: John Webster, Professor Christina Luckyj
ISBN: 9781408145111
Publisher: Bloomsbury Publishing
Publication: May 29, 2014
Imprint: Methuen Drama
Language: English

"Woman to man is either a god or a wolf"

John Webster's first independent play, The White Devil, originally performed in 1612, centres on the beautiful Vittoria Corombona and her lover, Duke Brachiano, whose passionate, adulterous affair unleashes the powerful revenge of their enemies. While clearly guilty of lust and murder, these unsavoury characters become startlingly heroic under pressure, challenging both conventional moral judgments and oppressive social forces.

This revised student edition contains a lengthy new Introduction with background on the author, date and sources, theme, critical interpretation and stage history. The Introduction discusses Webster's radical experimentation with tragic modes, his interest in the heroic potential of women, and evaluates the handling of both in recent stage productions.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

"Woman to man is either a god or a wolf"

John Webster's first independent play, The White Devil, originally performed in 1612, centres on the beautiful Vittoria Corombona and her lover, Duke Brachiano, whose passionate, adulterous affair unleashes the powerful revenge of their enemies. While clearly guilty of lust and murder, these unsavoury characters become startlingly heroic under pressure, challenging both conventional moral judgments and oppressive social forces.

This revised student edition contains a lengthy new Introduction with background on the author, date and sources, theme, critical interpretation and stage history. The Introduction discusses Webster's radical experimentation with tragic modes, his interest in the heroic potential of women, and evaluates the handling of both in recent stage productions.

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