The Woman's Film of the 1940s

Gender, Narrative, and History

Nonfiction, Entertainment, Performing Arts, Film, Social & Cultural Studies, Social Science
Cover of the book The Woman's Film of the 1940s by Alison L. McKee, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alison L. McKee ISBN: 9781135053697
Publisher: Taylor and Francis Publication: April 3, 2014
Imprint: Routledge Language: English
Author: Alison L. McKee
ISBN: 9781135053697
Publisher: Taylor and Francis
Publication: April 3, 2014
Imprint: Routledge
Language: English

This book explores the relationship among gender, desire, and narrative in 1940s woman’s films which negotiate the terrain between public history and private experience. The woman’s film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II. In addition, in paying tribute to and departing from earlier feminist formulations about gendered spectatorship in cinema, McKee argues that such models emphasized a masculine-centered gaze at the inadvertent expense of understanding other possible modes of identification and gender expression in classical narrative cinema. She proposes ways of understanding gender and narrative based in part on literary narrative theory and ultimately works toward a notion of an androgynous spectatorship and mode of interpretation in the 1940s woman’s film.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book explores the relationship among gender, desire, and narrative in 1940s woman’s films which negotiate the terrain between public history and private experience. The woman’s film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II. In addition, in paying tribute to and departing from earlier feminist formulations about gendered spectatorship in cinema, McKee argues that such models emphasized a masculine-centered gaze at the inadvertent expense of understanding other possible modes of identification and gender expression in classical narrative cinema. She proposes ways of understanding gender and narrative based in part on literary narrative theory and ultimately works toward a notion of an androgynous spectatorship and mode of interpretation in the 1940s woman’s film.

More books from Taylor and Francis

Cover of the book The Politics of Southeast Asia's New Media by Alison L. McKee
Cover of the book Supply Chain Risk by Alison L. McKee
Cover of the book US Arms Policies Towards the Shah's Iran by Alison L. McKee
Cover of the book Pearls Arms & Hashish by Alison L. McKee
Cover of the book A World History of Tax Rebellions by Alison L. McKee
Cover of the book Discounting and Environmental Policy by Alison L. McKee
Cover of the book English Masculinities, 1660-1800 by Alison L. McKee
Cover of the book The Psychology of Expertise by Alison L. McKee
Cover of the book The Unconscious by Alison L. McKee
Cover of the book Routledge Revivals: The Song Celestial or Bhagavad-Gita (1906) by Alison L. McKee
Cover of the book Place-Based Spaces for Networked Learning by Alison L. McKee
Cover of the book Women in Mycenaean Greece by Alison L. McKee
Cover of the book Family Therapy by Alison L. McKee
Cover of the book Feminisms in Social Work Research by Alison L. McKee
Cover of the book Rebirth of Rhetoric by Alison L. McKee
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy