Theatre and Performance Design

A Reader in Scenography

Nonfiction, Entertainment, Performing Arts, Theatre, Stagecraft
Cover of the book Theatre and Performance Design by Jane Collins, Andrew Nisbet, Taylor and Francis
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Author: Jane Collins, Andrew Nisbet ISBN: 9781136344527
Publisher: Taylor and Francis Publication: October 2, 2012
Imprint: Routledge Language: English
Author: Jane Collins, Andrew Nisbet
ISBN: 9781136344527
Publisher: Taylor and Francis
Publication: October 2, 2012
Imprint: Routledge
Language: English

Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices.

Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design.

The volume is organised thematically in five sections:

  • looking, the experience of seeing
  • space and place
  • the designer: the scenographic
  • bodies in space
  • making meaning

This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography – the term increasingly used to describe a more integrated reading of performance – this unique anthology recognises the role played by all the elements of production in the creation of meaning.

Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices.

Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design.

The volume is organised thematically in five sections:

This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography – the term increasingly used to describe a more integrated reading of performance – this unique anthology recognises the role played by all the elements of production in the creation of meaning.

Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.

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