Theatre and Testimony in Shakespeare's England

A Culture of Mediation

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Entertainment, Performing Arts
Cover of the book Theatre and Testimony in Shakespeare's England by Holger Schott Syme, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Holger Schott Syme ISBN: 9781139199780
Publisher: Cambridge University Press Publication: December 1, 2011
Imprint: Cambridge University Press Language: English
Author: Holger Schott Syme
ISBN: 9781139199780
Publisher: Cambridge University Press
Publication: December 1, 2011
Imprint: Cambridge University Press
Language: English

Holger Syme presents a radically new explanation for the theatre's importance in Shakespeare's time. He portrays early modern England as a culture of mediation, dominated by transactions in which one person stood in for another, giving voice to absent speakers or bringing past events to life. No art form related more immediately to this culture than the theatre. Arguing against the influential view that the period underwent a crisis of representation, Syme draws upon extensive archival research in the fields of law, demonology, historiography and science to trace a pervasive conviction that testimony and report, delivered by properly authorised figures, provided access to truth. Through detailed close readings of plays by Ben Jonson and William Shakespeare - in particular Volpone, Richard II and The Winter's Tale - and analyses of criminal trial procedures, the book constructs a revisionist account of the nature of representation on the early modern stage.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Holger Syme presents a radically new explanation for the theatre's importance in Shakespeare's time. He portrays early modern England as a culture of mediation, dominated by transactions in which one person stood in for another, giving voice to absent speakers or bringing past events to life. No art form related more immediately to this culture than the theatre. Arguing against the influential view that the period underwent a crisis of representation, Syme draws upon extensive archival research in the fields of law, demonology, historiography and science to trace a pervasive conviction that testimony and report, delivered by properly authorised figures, provided access to truth. Through detailed close readings of plays by Ben Jonson and William Shakespeare - in particular Volpone, Richard II and The Winter's Tale - and analyses of criminal trial procedures, the book constructs a revisionist account of the nature of representation on the early modern stage.

More books from Cambridge University Press

Cover of the book A Philosophy of Criminal Attempts by Holger Schott Syme
Cover of the book Explaining Institutional Change by Holger Schott Syme
Cover of the book Roman Architecture in Provence by Holger Schott Syme
Cover of the book Gravitational Lensing by Holger Schott Syme
Cover of the book The Anonymous Sayings of the Desert Fathers by Holger Schott Syme
Cover of the book Understanding Evolution by Holger Schott Syme
Cover of the book Brahms's Elegies by Holger Schott Syme
Cover of the book Debating Early Child Care by Holger Schott Syme
Cover of the book The Endurance of Family Businesses by Holger Schott Syme
Cover of the book Contemporary Issues in Estuarine Physics by Holger Schott Syme
Cover of the book Nonequilibrium Statistical Physics by Holger Schott Syme
Cover of the book Eurasia at the Dawn of History by Holger Schott Syme
Cover of the book Switching and Finite Automata Theory by Holger Schott Syme
Cover of the book Uncommon Causes of Stroke by Holger Schott Syme
Cover of the book Jet Propulsion by Holger Schott Syme
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy