Thinking Through Poetry

Field Reports on Romantic Lyric

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, Theory
Cover of the book Thinking Through Poetry by Marjorie Levinson, OUP Oxford
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Marjorie Levinson ISBN: 9780192538253
Publisher: OUP Oxford Publication: July 12, 2018
Imprint: OUP Oxford Language: English
Author: Marjorie Levinson
ISBN: 9780192538253
Publisher: OUP Oxford
Publication: July 12, 2018
Imprint: OUP Oxford
Language: English

Thinking through Poetry: Field Reports on Romantic Lyric pursues two goals. The title signals the contribution to debates about reading. Do we think 'through' - 'by means of', 'with'- poems, sympathetically elaborating their surfaces? Is this compatible with a second meaning: 'thinking through' poems to their end-solving a problem, getting to its root, its deep truth? Third, can we square these surface and depth readings with a speculative, philosophical criticism to which the poem carries us, where 'through' denotes a 'going beyond?' All three meanings of 'through' are in play throughout. The subtitle applies 'field' first to Romantic studies since the 1980s, a field that this project reflects upon from beginning to end. Examples are drawn especially from Wordsworth, but also from Coleridge and, in assessing Romanticism's afterlife, from Stevens. 'Field' also characterizes the shift from a unitary to a field-concept of form during that time-span, a shift pursued through prolonged engagement with Spinoza. 'Field' thus underscores the synthesis of form and history, the importance of analytic scale to that synthesis, and the displacement of entity (text) by 'relation' as the object of investigation. While the book historically connects early nineteenth-century intellectual trends to twentieth- and twenty-first-century scientific revolutions, its focuses on introducing new models to literary criticism. Unlike accounts of the influence of science on literature, or various 'literature + X' approaches (literature and ecology, literature and cognitive science), it constructs its object of inquiry in a way cognate with work in non-humanities disciplines, thus highlighting a certain unity to human knowledge. The claim is that specialists in literature should think the way distinguished scientists think, and vice versa.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Thinking through Poetry: Field Reports on Romantic Lyric pursues two goals. The title signals the contribution to debates about reading. Do we think 'through' - 'by means of', 'with'- poems, sympathetically elaborating their surfaces? Is this compatible with a second meaning: 'thinking through' poems to their end-solving a problem, getting to its root, its deep truth? Third, can we square these surface and depth readings with a speculative, philosophical criticism to which the poem carries us, where 'through' denotes a 'going beyond?' All three meanings of 'through' are in play throughout. The subtitle applies 'field' first to Romantic studies since the 1980s, a field that this project reflects upon from beginning to end. Examples are drawn especially from Wordsworth, but also from Coleridge and, in assessing Romanticism's afterlife, from Stevens. 'Field' also characterizes the shift from a unitary to a field-concept of form during that time-span, a shift pursued through prolonged engagement with Spinoza. 'Field' thus underscores the synthesis of form and history, the importance of analytic scale to that synthesis, and the displacement of entity (text) by 'relation' as the object of investigation. While the book historically connects early nineteenth-century intellectual trends to twentieth- and twenty-first-century scientific revolutions, its focuses on introducing new models to literary criticism. Unlike accounts of the influence of science on literature, or various 'literature + X' approaches (literature and ecology, literature and cognitive science), it constructs its object of inquiry in a way cognate with work in non-humanities disciplines, thus highlighting a certain unity to human knowledge. The claim is that specialists in literature should think the way distinguished scientists think, and vice versa.

More books from OUP Oxford

Cover of the book Replenishing the Earth:The Settler Revolution and the Rise of the Angloworld by Marjorie Levinson
Cover of the book Making Amulets Christian by Marjorie Levinson
Cover of the book A Few Hares to Chase by Marjorie Levinson
Cover of the book Michael Faraday: A Very Short Introduction by Marjorie Levinson
Cover of the book Strategy, HRM, and Performance by Marjorie Levinson
Cover of the book Religion in Liberal Political Philosophy by Marjorie Levinson
Cover of the book Cosmic Anger: Abdus Salam - The First Muslim Nobel Scientist by Marjorie Levinson
Cover of the book The Space of Culture by Marjorie Levinson
Cover of the book Making Oscar Wilde by Marjorie Levinson
Cover of the book European Cross-Border Mergers and Reorganisations by Marjorie Levinson
Cover of the book A Dictionary of Agriculture and Land Management by Marjorie Levinson
Cover of the book Backgazing: Reverse Time in Modernist Culture by Marjorie Levinson
Cover of the book The Normalized Difference Vegetation Index by Marjorie Levinson
Cover of the book Exploring Personal Genomics by Marjorie Levinson
Cover of the book The Centered Mind by Marjorie Levinson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy