Tonal Space in the Music of Antonio Vivaldi

Nonfiction, Entertainment, Music, Theory & Criticism, Theory, Instruments & Instruction, Instruction & Study
Cover of the book Tonal Space in the Music of Antonio Vivaldi by Bella Brover-Lubovsky, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Bella Brover-Lubovsky ISBN: 9780253028037
Publisher: Indiana University Press Publication: June 25, 2008
Imprint: Indiana University Press Language: English
Author: Bella Brover-Lubovsky
ISBN: 9780253028037
Publisher: Indiana University Press
Publication: June 25, 2008
Imprint: Indiana University Press
Language: English

Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.

More books from Indiana University Press

Cover of the book Israel in the Making by Bella Brover-Lubovsky
Cover of the book Between Word and Image by Bella Brover-Lubovsky
Cover of the book Spiders of the Market by Bella Brover-Lubovsky
Cover of the book Early Twentieth-Century Continental Philosophy by Bella Brover-Lubovsky
Cover of the book Women in American Popular Music by Bella Brover-Lubovsky
Cover of the book The Essential Caputo by Bella Brover-Lubovsky
Cover of the book Les Industries lithiques taillées de Franchthi (Argolide, Grèce), Volume 2 by Bella Brover-Lubovsky
Cover of the book Partnerships the Nonprofit Way by Bella Brover-Lubovsky
Cover of the book Radical French Thought and the Return of the "Jewish Question" by Bella Brover-Lubovsky
Cover of the book Framing the Global by Bella Brover-Lubovsky
Cover of the book Riley Farm-Rhymes by Bella Brover-Lubovsky
Cover of the book Elegies for Uncanny Girls by Bella Brover-Lubovsky
Cover of the book Psychedelic Popular Music by Bella Brover-Lubovsky
Cover of the book Ten Arab Filmmakers by Bella Brover-Lubovsky
Cover of the book World Without End by Bella Brover-Lubovsky
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy