Tracing Women's Romanticism

Gender, History, and Transcendence

Fiction & Literature, Literary Theory & Criticism, Gothic & Romantic, Women Authors
Cover of the book Tracing Women's Romanticism by Kari E. Lokke, Taylor and Francis
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Author: Kari E. Lokke ISBN: 9781134300617
Publisher: Taylor and Francis Publication: September 9, 2004
Imprint: Routledge Language: English
Author: Kari E. Lokke
ISBN: 9781134300617
Publisher: Taylor and Francis
Publication: September 9, 2004
Imprint: Routledge
Language: English

Awarded the 2005 Jean-Pierre Barricelli Book Prize by the International Conference on Romanticism

This book explores a cosmopolitan tradition of nineteenth-century novels written in response to Germaine de Staël's originary novel of the artist as heroine, corinne. The first book to delineate the contours of an international women's Romanticism, it argues that the künstlerromane of Mary Shelley, Bettine von Arnim, and George Sand offer feminist understandings of history and transcendence that constitute a critique of Romanticism from within. The book examines meditative, mystical and utopian visions of religious and artistic transcendence in the novels of women Romanticists as vehicles for the representation of a gendered subjectivity that seeks detachment and distance from the interests and strictures of the existing patriarchal social and cultural order. For these writers, the author argues, self-transcendence means an abandonment or dissolution of the individual self through political and spiritual efforts that culminate in a revelation of the divinity of a collective selfhood that comes into being through historical process.

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Awarded the 2005 Jean-Pierre Barricelli Book Prize by the International Conference on Romanticism

This book explores a cosmopolitan tradition of nineteenth-century novels written in response to Germaine de Staël's originary novel of the artist as heroine, corinne. The first book to delineate the contours of an international women's Romanticism, it argues that the künstlerromane of Mary Shelley, Bettine von Arnim, and George Sand offer feminist understandings of history and transcendence that constitute a critique of Romanticism from within. The book examines meditative, mystical and utopian visions of religious and artistic transcendence in the novels of women Romanticists as vehicles for the representation of a gendered subjectivity that seeks detachment and distance from the interests and strictures of the existing patriarchal social and cultural order. For these writers, the author argues, self-transcendence means an abandonment or dissolution of the individual self through political and spiritual efforts that culminate in a revelation of the divinity of a collective selfhood that comes into being through historical process.

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