Transforming Tragedy, Identity, and Community

Nonfiction, Social & Cultural Studies, Social Science, Sociology, Fiction & Literature, Anthologies, Literary Theory & Criticism
Cover of the book Transforming Tragedy, Identity, and Community by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781317982548
Publisher: Taylor and Francis Publication: October 31, 2013
Imprint: Routledge Language: English
Author:
ISBN: 9781317982548
Publisher: Taylor and Francis
Publication: October 31, 2013
Imprint: Routledge
Language: English

The volume explores the interrelated topics of transnational identity in all its ambiguity and complexity, and the new ways of imagining community or Gemeinschaft (as distinct from society or Gesellschaft)) that this broader climate made possible in the Romantic period. The period crystallized, even if it did not inaugurate, an unprecedented interest in travel and exploration, as well as in the dissemination of the knowledge thus acquired through print media and learned societies. This dissemination expanded but also unmoored both epistemic and national boundaries. It thus led to what Antoine Berman in his study of translation tellingly calls “the experience of the foreign,” as a zone of differences between and within selves, of which translation  was the material expression and symptom. As several essays in the collection suggest, it is this mental travel that  distinguishes the Romantic probing of transitional zones from that of earlier periods when travel and exploration were more purely under the sign of trade and commerce and thus of appropriation and colonization. The renegotiation of national and cultural boundaries also raises the question of what kinds of community are possible in this environment. A group of essays therefore explores the period’s alternative communities, and the ways in which it tested the limits of the very concept of community. Finally, the volume also explores the interrelationship between notions of identity and community by turning to Romantic theatre. Concentrating on the stage as monitor and mirror of contemporary ideological developments, a dedicated section of this book looks at the evolution of the tragic in European Romanticisms and how its inherent conflicts became vehicles for contrasting representations of individual and communal identities.

This book was published as a special issue of European Romantic Review

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The volume explores the interrelated topics of transnational identity in all its ambiguity and complexity, and the new ways of imagining community or Gemeinschaft (as distinct from society or Gesellschaft)) that this broader climate made possible in the Romantic period. The period crystallized, even if it did not inaugurate, an unprecedented interest in travel and exploration, as well as in the dissemination of the knowledge thus acquired through print media and learned societies. This dissemination expanded but also unmoored both epistemic and national boundaries. It thus led to what Antoine Berman in his study of translation tellingly calls “the experience of the foreign,” as a zone of differences between and within selves, of which translation  was the material expression and symptom. As several essays in the collection suggest, it is this mental travel that  distinguishes the Romantic probing of transitional zones from that of earlier periods when travel and exploration were more purely under the sign of trade and commerce and thus of appropriation and colonization. The renegotiation of national and cultural boundaries also raises the question of what kinds of community are possible in this environment. A group of essays therefore explores the period’s alternative communities, and the ways in which it tested the limits of the very concept of community. Finally, the volume also explores the interrelationship between notions of identity and community by turning to Romantic theatre. Concentrating on the stage as monitor and mirror of contemporary ideological developments, a dedicated section of this book looks at the evolution of the tragic in European Romanticisms and how its inherent conflicts became vehicles for contrasting representations of individual and communal identities.

This book was published as a special issue of European Romantic Review

More books from Taylor and Francis

Cover of the book Learning from Burnout by
Cover of the book Changing Power Relations in Northeast Asia by
Cover of the book New Borders for a Changing Europe by
Cover of the book The Fugitive Identity of Mediation by
Cover of the book Dostoevsky and The Idea of Russianness by
Cover of the book The Anti-Doping Crisis in Sport by
Cover of the book Crime and Punishment in Eighteenth Century England by
Cover of the book Sport, Media, Culture by
Cover of the book Fighting for Rights by
Cover of the book Talking about Evil by
Cover of the book Total E-mail Marketing by
Cover of the book Party System Change in South India by
Cover of the book Sudan by
Cover of the book The Victorian Poet (Routledge Revivals) by
Cover of the book Knowledge Networks and Craft Traditions in the Ancient World by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy