Traumatic Imprints

Cinema, Military Psychiatry, and the Aftermath of War

Nonfiction, History, Military, United States, Entertainment, Film, World War II
Cover of the book Traumatic Imprints by Noah Tsika, University of California Press
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Author: Noah Tsika ISBN: 9780520969926
Publisher: University of California Press Publication: October 2, 2018
Imprint: University of California Press Language: English
Author: Noah Tsika
ISBN: 9780520969926
Publisher: University of California Press
Publication: October 2, 2018
Imprint: University of California Press
Language: English

Forced to contend with unprecedented levels of psychological trauma during World War II, the United States military began sponsoring a series of nontheatrical films designed to educate and even rehabilitate soldiers and civilians alike. *Traumatic Imprints *traces the development of psychiatric and psychotherapeutic approaches to wartime trauma by the United States military, along with links to formal and narrative developments in military and civilian filmmaking. Offering close readings of a series of films alongside analysis of period scholarship in psychiatry and bolstered by research in trauma theory and documentary studies, Noah Tsika argues that trauma was foundational in postwar American culture. Examining wartime and postwar debates about the use of cinema as a vehicle for studying, publicizing, and even what has been termed “working through” war trauma, this book is an original contribution to scholarship on the military-industrial complex.

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Forced to contend with unprecedented levels of psychological trauma during World War II, the United States military began sponsoring a series of nontheatrical films designed to educate and even rehabilitate soldiers and civilians alike. *Traumatic Imprints *traces the development of psychiatric and psychotherapeutic approaches to wartime trauma by the United States military, along with links to formal and narrative developments in military and civilian filmmaking. Offering close readings of a series of films alongside analysis of period scholarship in psychiatry and bolstered by research in trauma theory and documentary studies, Noah Tsika argues that trauma was foundational in postwar American culture. Examining wartime and postwar debates about the use of cinema as a vehicle for studying, publicizing, and even what has been termed “working through” war trauma, this book is an original contribution to scholarship on the military-industrial complex.

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