Two Bits

The Cultural Significance of Free Software

Nonfiction, Science & Nature, Science, Other Sciences, History, Social & Cultural Studies, Social Science, Anthropology, Computers
Cover of the book Two Bits by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit ISBN: 9780822389002
Publisher: Duke University Press Publication: June 9, 2008
Imprint: Duke University Press Books Language: English
Author: Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
ISBN: 9780822389002
Publisher: Duke University Press
Publication: June 9, 2008
Imprint: Duke University Press Books
Language: English

In Two Bits, Christopher M. Kelty investigates the history and cultural significance of Free Software, revealing the people and practices that have transformed not only software but also music, film, science, and education. Free Software is a set of practices devoted to the collaborative creation of software source code that is made openly and freely available through an unconventional use of copyright law. Kelty explains how these specific practices have reoriented the relations of power around the creation, dissemination, and authorization of all kinds of knowledge. He also makes an important contribution to discussions of public spheres and social imaginaries by demonstrating how Free Software is a “recursive public”—a public organized around the ability to build, modify, and maintain the very infrastructure that gives it life in the first place.

Drawing on ethnographic research that took him from an Internet healthcare start-up company in Boston to media labs in Berlin to young entrepreneurs in Bangalore, Kelty describes the technologies and the moral vision that bind together hackers, geeks, lawyers, and other Free Software advocates. In each case, he shows how their practices and way of life include not only the sharing of software source code but also ways of conceptualizing openness, writing copyright licenses, coordinating collaboration, and proselytizing. By exploring in detail how these practices came together as the Free Software movement from the 1970s to the 1990s, Kelty also considers how it is possible to understand the new movements emerging from Free Software: projects such as Creative Commons, a nonprofit organization that creates copyright licenses, and Connexions, a project to create an online scholarly textbook commons.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Two Bits, Christopher M. Kelty investigates the history and cultural significance of Free Software, revealing the people and practices that have transformed not only software but also music, film, science, and education. Free Software is a set of practices devoted to the collaborative creation of software source code that is made openly and freely available through an unconventional use of copyright law. Kelty explains how these specific practices have reoriented the relations of power around the creation, dissemination, and authorization of all kinds of knowledge. He also makes an important contribution to discussions of public spheres and social imaginaries by demonstrating how Free Software is a “recursive public”—a public organized around the ability to build, modify, and maintain the very infrastructure that gives it life in the first place.

Drawing on ethnographic research that took him from an Internet healthcare start-up company in Boston to media labs in Berlin to young entrepreneurs in Bangalore, Kelty describes the technologies and the moral vision that bind together hackers, geeks, lawyers, and other Free Software advocates. In each case, he shows how their practices and way of life include not only the sharing of software source code but also ways of conceptualizing openness, writing copyright licenses, coordinating collaboration, and proselytizing. By exploring in detail how these practices came together as the Free Software movement from the 1970s to the 1990s, Kelty also considers how it is possible to understand the new movements emerging from Free Software: projects such as Creative Commons, a nonprofit organization that creates copyright licenses, and Connexions, a project to create an online scholarly textbook commons.

More books from Duke University Press

Cover of the book Useful Knowledge by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book On Longing by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book A Body Worth Defending by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book Curative Violence by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book Borders of Chinese Civilization by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book Babylon East by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book Writing in the Air by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book The Gendered Worlds of Latin American Women Workers by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book Under Western Eyes by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book Cities Surround The Countryside by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book Watching Jim Crow by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book Architecture in Translation by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book Rereading Cultural Anthropology by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book Genes in Development by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
Cover of the book The Places of History by Christopher M. Kelty, Michael M. J. Fischer, Joseph Dumit
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy