Unicorn

The poetry of Angela Carter

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, Poetry
Cover of the book Unicorn by Rosemary Hill, Angela Carter, Profile
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Author: Rosemary Hill, Angela Carter ISBN: 9781782831129
Publisher: Profile Publication: November 5, 2015
Imprint: Profile Books Language: English
Author: Rosemary Hill, Angela Carter
ISBN: 9781782831129
Publisher: Profile
Publication: November 5, 2015
Imprint: Profile Books
Language: English

a) The Unicorn
As with the night-scented stock, the full
splendour of the unicorn manifests itself most potently
at twilight. Then the horn sprouts, swells, blooms
in all its glory. SEE THE HORN
(bend the tab, slit in slot
marked 'x')

Despite being one of the most influential - and best-loved - of the post-war English writers, Angela Carter remains little-known as a poet. In Unicorn, the critic and historian Rosemary Hill collects together her published verse from 1963-1971, a period in which Carter began to explore the themes that dominated her later work: magic, the reworking of myths and their darker sides, and the overturning of literary and social conventions. With imagery at times startling in its violence and disconcerting in its presentation of sexuality, Unicorn provides compelling insight into the formation of a remarkable imagination.
In the essay that accompanies the poems the critic and historian Rosemary Hill considers them in the context of Carter's other work and as an aspect of the 1960s, the decade which as Carter put it 'wasn't like they say in the movies'.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

a) The Unicorn
As with the night-scented stock, the full
splendour of the unicorn manifests itself most potently
at twilight. Then the horn sprouts, swells, blooms
in all its glory. SEE THE HORN
(bend the tab, slit in slot
marked 'x')

Despite being one of the most influential - and best-loved - of the post-war English writers, Angela Carter remains little-known as a poet. In Unicorn, the critic and historian Rosemary Hill collects together her published verse from 1963-1971, a period in which Carter began to explore the themes that dominated her later work: magic, the reworking of myths and their darker sides, and the overturning of literary and social conventions. With imagery at times startling in its violence and disconcerting in its presentation of sexuality, Unicorn provides compelling insight into the formation of a remarkable imagination.
In the essay that accompanies the poems the critic and historian Rosemary Hill considers them in the context of Carter's other work and as an aspect of the 1960s, the decade which as Carter put it 'wasn't like they say in the movies'.

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