Uses of African Antiquity in the Twentieth and Twenty-First Centuries

Fiction & Literature, Literary Theory & Criticism, Ancient & Classical, Nonfiction, History, Africa, Reference & Language, Language Arts
Cover of the book Uses of African Antiquity in the Twentieth and Twenty-First Centuries by Jorge Serrano, Peter Lang
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jorge Serrano ISBN: 9781433140860
Publisher: Peter Lang Publication: January 18, 2018
Imprint: Peter Lang Inc., International Academic Publishers Language: English
Author: Jorge Serrano
ISBN: 9781433140860
Publisher: Peter Lang
Publication: January 18, 2018
Imprint: Peter Lang Inc., International Academic Publishers
Language: English

African antiquity has been discerned both nullifyingly and constructively. Uses of African Antiquity in the Twentieth and Twenty-First Centuries reveals how reading the past can be extended to understand sensitivities involving origins and how it imparts collective posture. The ancient historical imagery epitomized by writers and artists alike includes the distant past as well as an immediate past. Comparatively, representation of time long gone records transhistorical presence and civilizational participation and agentic validity. African antiquity can be construed as diasporic through time and space and in regards to nomenclature it extends understanding of peopleness, e.g. Libya, Ethiopia, Africa, Afrika, African Egypt, Kemet, Alkebu-lan, Nubia, Ta-Seti, Ta-Nehisi, Ta-Merry, Kush, Axum, Meroƫ, Ghana, Mali, Songhai, Zulu, and so many more are recognized in a time-spatial continuum linked to African, Colored, Negro, and Black, as various terms inform origins identity. Unfortunately, typologies disciplinarily stem from anthropological construction, yet here African antiquity as sign heralds clines and clusters; splintering Africana from humanitas ultimately contends against subjugation. African antiquity absorbs character and notions of diachronologically dispersed peoples reflect origins indulgence. African antiquity as a stretched concept and/or historicism triply adds understanding, grouping, and alterity. This primarily is a review of thinkers who defend against people erasure in the past with its socially and nihilistic affective ways.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

African antiquity has been discerned both nullifyingly and constructively. Uses of African Antiquity in the Twentieth and Twenty-First Centuries reveals how reading the past can be extended to understand sensitivities involving origins and how it imparts collective posture. The ancient historical imagery epitomized by writers and artists alike includes the distant past as well as an immediate past. Comparatively, representation of time long gone records transhistorical presence and civilizational participation and agentic validity. African antiquity can be construed as diasporic through time and space and in regards to nomenclature it extends understanding of peopleness, e.g. Libya, Ethiopia, Africa, Afrika, African Egypt, Kemet, Alkebu-lan, Nubia, Ta-Seti, Ta-Nehisi, Ta-Merry, Kush, Axum, Meroƫ, Ghana, Mali, Songhai, Zulu, and so many more are recognized in a time-spatial continuum linked to African, Colored, Negro, and Black, as various terms inform origins identity. Unfortunately, typologies disciplinarily stem from anthropological construction, yet here African antiquity as sign heralds clines and clusters; splintering Africana from humanitas ultimately contends against subjugation. African antiquity absorbs character and notions of diachronologically dispersed peoples reflect origins indulgence. African antiquity as a stretched concept and/or historicism triply adds understanding, grouping, and alterity. This primarily is a review of thinkers who defend against people erasure in the past with its socially and nihilistic affective ways.

More books from Peter Lang

Cover of the book IT-Entwicklungen im Gesundheitswesen: Herausforderungen und Chancen by Jorge Serrano
Cover of the book Zur Garantenpflicht des Compliance-Beauftragten by Jorge Serrano
Cover of the book Beratung in der Weiterbildung als institutionelle Interaktion by Jorge Serrano
Cover of the book Musica Mathematica by Jorge Serrano
Cover of the book Vorzugsaktie und KGaA by Jorge Serrano
Cover of the book Syntactic Dislocation in English Congregational Song between 1500 and 1900 by Jorge Serrano
Cover of the book Demand the Impossible by Jorge Serrano
Cover of the book The Trayvon Martin in US by Jorge Serrano
Cover of the book Twelve Studies in Chopin by Jorge Serrano
Cover of the book Literatura política y política literaria en España by Jorge Serrano
Cover of the book Symbole des Lebenslaufes by Jorge Serrano
Cover of the book Cultural Hybrids of (Post)Modernism by Jorge Serrano
Cover of the book World War II and Two Occupations by Jorge Serrano
Cover of the book Unigenitus Dei Filius by Jorge Serrano
Cover of the book Mediale Ambivalenzen / Ambivalente Medien by Jorge Serrano
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy