Uva's Rigging Guide for Studio and Location

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Uva's Rigging Guide for Studio and Location by Michael Uva, Sabrina Uva, Taylor and Francis
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Author: Michael Uva, Sabrina Uva ISBN: 9781136050732
Publisher: Taylor and Francis Publication: August 29, 2013
Imprint: Routledge Language: English
Author: Michael Uva, Sabrina Uva
ISBN: 9781136050732
Publisher: Taylor and Francis
Publication: August 29, 2013
Imprint: Routledge
Language: English

Readers of Mike Uva's GRIP BOOK who are interested in more detailed information on the work of the grip department will welcome his new rigging manual, clearly detailing all the ways to mount cameras and lights both on a set as well as on location.

The book covers the latest truss systems, rigging equipment and portable stages, as well as lifts, boom arms and camera mounts for every type of moving vehicle. The book is not limited to equipment specifications, however; Uva offers tips and tricks throughout in order to make the process of setting up and shooting safer and more efficient. Grips often need to invent makeshift solutions in a short time, and Uva shares many such devices developed over his years in the film and TV industry. This book will help grips and key grips move on to the bigger feature projects and commercials that require this equipment. It will also be useful for directors of photography and producers in pre-planning the required equipment for specific shots.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Readers of Mike Uva's GRIP BOOK who are interested in more detailed information on the work of the grip department will welcome his new rigging manual, clearly detailing all the ways to mount cameras and lights both on a set as well as on location.

The book covers the latest truss systems, rigging equipment and portable stages, as well as lifts, boom arms and camera mounts for every type of moving vehicle. The book is not limited to equipment specifications, however; Uva offers tips and tricks throughout in order to make the process of setting up and shooting safer and more efficient. Grips often need to invent makeshift solutions in a short time, and Uva shares many such devices developed over his years in the film and TV industry. This book will help grips and key grips move on to the bigger feature projects and commercials that require this equipment. It will also be useful for directors of photography and producers in pre-planning the required equipment for specific shots.

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