Verdi, Opera, Women

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book Verdi, Opera, Women by Susan Rutherford, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Susan Rutherford ISBN: 9781107461963
Publisher: Cambridge University Press Publication: November 7, 2013
Imprint: Cambridge University Press Language: English
Author: Susan Rutherford
ISBN: 9781107461963
Publisher: Cambridge University Press
Publication: November 7, 2013
Imprint: Cambridge University Press
Language: English

Verdi's operas - composed between 1839 and 1893 - portray a striking diversity of female protagonists: warrior women and peacemakers, virgins and courtesans, princesses and slaves, witches and gypsies, mothers and daughters, erring and idealised wives, and, last of all, a feisty quartet of Tudor townswomen in Verdi's final opera, Falstaff. Yet what meanings did the impassioned crises and dilemmas of these characters hold for the nineteenth-century female spectator, especially during such a turbulent span in the history of the Italian peninsula? How was opera shaped by society - and was society similarly influenced by opera? Contextualising Verdi's female roles within aspects of women's social, cultural and political history, Susan Rutherford explores the interface between the reality of the spectators' lives and the imaginary of the fictional world before them on the operatic stage.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Verdi's operas - composed between 1839 and 1893 - portray a striking diversity of female protagonists: warrior women and peacemakers, virgins and courtesans, princesses and slaves, witches and gypsies, mothers and daughters, erring and idealised wives, and, last of all, a feisty quartet of Tudor townswomen in Verdi's final opera, Falstaff. Yet what meanings did the impassioned crises and dilemmas of these characters hold for the nineteenth-century female spectator, especially during such a turbulent span in the history of the Italian peninsula? How was opera shaped by society - and was society similarly influenced by opera? Contextualising Verdi's female roles within aspects of women's social, cultural and political history, Susan Rutherford explores the interface between the reality of the spectators' lives and the imaginary of the fictional world before them on the operatic stage.

More books from Cambridge University Press

Cover of the book Media and Radio Signal Processing for Mobile Communications by Susan Rutherford
Cover of the book Numerical Solution of Partial Differential Equations by Susan Rutherford
Cover of the book Mission and Money by Susan Rutherford
Cover of the book Writing Arctic Disaster by Susan Rutherford
Cover of the book The Handbook of Personal Area Networking Technologies and Protocols by Susan Rutherford
Cover of the book Monarchy Transformed by Susan Rutherford
Cover of the book Modeling Materials by Susan Rutherford
Cover of the book The Cambridge Companion to Sartre by Susan Rutherford
Cover of the book Apocalypse and Anti-Catholicism in Seventeenth-Century English Drama by Susan Rutherford
Cover of the book Non-Associative Normed Algebras: Volume 1, The Vidav–Palmer and Gelfand–Naimark Theorems by Susan Rutherford
Cover of the book The Cambridge Companion to Seamus Heaney by Susan Rutherford
Cover of the book Conscription, Family, and the Modern State by Susan Rutherford
Cover of the book Internet Jurisdiction and Choice of Law by Susan Rutherford
Cover of the book Roger Bacon and the Defence of Christendom by Susan Rutherford
Cover of the book Research Methods and Statistics in Psychology by Susan Rutherford
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy