Victorian Fiction and the Cult of the Horse

Fiction & Literature, Literary Theory & Criticism
Cover of the book Victorian Fiction and the Cult of the Horse by Gina M. Dorré, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Gina M. Dorré ISBN: 9781351875899
Publisher: Taylor and Francis Publication: December 5, 2016
Imprint: Routledge Language: English
Author: Gina M. Dorré
ISBN: 9781351875899
Publisher: Taylor and Francis
Publication: December 5, 2016
Imprint: Routledge
Language: English

The horse was essential to the workings of Victorian society, and its representations, which are vast, ranging, and often contradictory, comprise a vibrant cult of the horse. Examining the representational, emblematic, and rhetorical uses of horses in a diversity of nineteenth-century texts, Gina M. Dorré shows how discourses about horses reveal and negotiate anxieties related to industrialism and technology, constructions of gender and sexuality, ruptures in the social fabric caused by class conflict and mobility, and changes occasioned by national "progress" and imperial expansion. She argues that as a cultural object, the horse functions as a repository of desire and despair in a society rocked by astonishing social, economic, and technological shifts. While representations of horses abound in Victorian fiction, Gina M. Dorré's study focuses on those novels by Charles Dickens, Elizabeth Braddon, Anna Sewell, and George Moore that engage with the most impassioned controversies concerning horses and horse-care, such as the introduction of the steam engine, popular new methods of horse-taming, debates over the tight-reining of horses, and the moral furor surrounding gambling at the race track. Her book establishes the centrality of the horse as a Victorian cultural icon and explores how through it, dominant ideologies of gender and class are created, promoted, and disrupted.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The horse was essential to the workings of Victorian society, and its representations, which are vast, ranging, and often contradictory, comprise a vibrant cult of the horse. Examining the representational, emblematic, and rhetorical uses of horses in a diversity of nineteenth-century texts, Gina M. Dorré shows how discourses about horses reveal and negotiate anxieties related to industrialism and technology, constructions of gender and sexuality, ruptures in the social fabric caused by class conflict and mobility, and changes occasioned by national "progress" and imperial expansion. She argues that as a cultural object, the horse functions as a repository of desire and despair in a society rocked by astonishing social, economic, and technological shifts. While representations of horses abound in Victorian fiction, Gina M. Dorré's study focuses on those novels by Charles Dickens, Elizabeth Braddon, Anna Sewell, and George Moore that engage with the most impassioned controversies concerning horses and horse-care, such as the introduction of the steam engine, popular new methods of horse-taming, debates over the tight-reining of horses, and the moral furor surrounding gambling at the race track. Her book establishes the centrality of the horse as a Victorian cultural icon and explores how through it, dominant ideologies of gender and class are created, promoted, and disrupted.

More books from Taylor and Francis

Cover of the book Derrida and Deconstruction by Gina M. Dorré
Cover of the book Empowering Progressive Third Parties in the United States by Gina M. Dorré
Cover of the book Introducing Phonology by Gina M. Dorré
Cover of the book Mixed Economies Welfare by Gina M. Dorré
Cover of the book The Left Strikes Back by Gina M. Dorré
Cover of the book What You Really Need to Know about Counselling and Psychotherapy Training by Gina M. Dorré
Cover of the book Moral Self-Regard by Gina M. Dorré
Cover of the book Technology and Medical Practice by Gina M. Dorré
Cover of the book Asia Pacific Economic Cooperation (APEC) by Gina M. Dorré
Cover of the book Virtual Thailand by Gina M. Dorré
Cover of the book 'Gilded Prostitution' by Gina M. Dorré
Cover of the book Ovid and the Cultural Politics of Translation in Early Modern England by Gina M. Dorré
Cover of the book Leadership Through Collaboration by Gina M. Dorré
Cover of the book Empires of Remorse by Gina M. Dorré
Cover of the book Adoption, Race, and Identity by Gina M. Dorré
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy