Vocal Projections

Voices in Documentary

Nonfiction, Science & Nature, Technology, Acoustics & Sound, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Vocal Projections by , Bloomsbury Publishing
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Author: ISBN: 9781501331268
Publisher: Bloomsbury Publishing Publication: October 18, 2018
Imprint: Bloomsbury Academic Language: English
Author:
ISBN: 9781501331268
Publisher: Bloomsbury Publishing
Publication: October 18, 2018
Imprint: Bloomsbury Academic
Language: English

Vocal Projections: Voices in Documentary examines a previously neglected topic in the field of documentary studies: the political, aesthetic, and affective functions that voices assume. On topics ranging from the celebrity voice over to ventriloquism, from rockumentary screams to feminist vocal politics, these essays demonstrate myriad ways in which voices make documentary meaning beyond their expository, evidentiary and authenticating functions.

The international range of contributors offers an innovative approach to the issues relating to voices in documentary. While taking account of the existing paradigm in documentary studies pioneered by Bill Nichols, in which voice is equated with political rhetoric and subjective representation, the contributors move into new territory, addressing current and emerging research in voice, sound, music and posthumanist studies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Vocal Projections: Voices in Documentary examines a previously neglected topic in the field of documentary studies: the political, aesthetic, and affective functions that voices assume. On topics ranging from the celebrity voice over to ventriloquism, from rockumentary screams to feminist vocal politics, these essays demonstrate myriad ways in which voices make documentary meaning beyond their expository, evidentiary and authenticating functions.

The international range of contributors offers an innovative approach to the issues relating to voices in documentary. While taking account of the existing paradigm in documentary studies pioneered by Bill Nichols, in which voice is equated with political rhetoric and subjective representation, the contributors move into new territory, addressing current and emerging research in voice, sound, music and posthumanist studies.

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