Voices of Change in the Spanish American Theater

An Anthology

Fiction & Literature, Drama, Anthologies, Nonfiction, Entertainment
Cover of the book Voices of Change in the Spanish American Theater by , University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781477304556
Publisher: University of Texas Press Publication: November 6, 2014
Imprint: University of Texas Press Language: English
Author:
ISBN: 9781477304556
Publisher: University of Texas Press
Publication: November 6, 2014
Imprint: University of Texas Press
Language: English
The aim of this anthology is to present a selection of plays that are representative of a fresh spirit and of societal pressures and changes in Spanish American culture. The plays shun the earlier realistic, sentimental, and melodramatic conventions of Spanish American theater. Instead, they reflect the tenor of the dramatic imagination of the mid-to-late twentieth century—an imagination that sought new forms and ways of expressing a new awareness of the Spanish American dilemma.In selecting these plays, William I. Oliver looked for more than mere illustrations of these changes. As a practicing director and playwright, he sought works that are effective on the stage as well as on the page. As an editor and translator, he sought works “that could be translated culturally as well as linguistically.” The six plays in this varied and vigorous anthology are the measure of his success.The plays included are The Day They Let the Lions Loose, by Emilio Carballido (Mexico); The Camp, by Griselda Gambaro (Argentina); The Library, by Carlos Maggi (Uruguay); In the Right Hand of God the Father, by Enrique Buenaventura (Colombia); The Mulatto’s Orgy, by Luisa Josefina Hernández (Mexico); and Viña: Three Beach Plays, by Sergio Vodánovic (Chile).
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
The aim of this anthology is to present a selection of plays that are representative of a fresh spirit and of societal pressures and changes in Spanish American culture. The plays shun the earlier realistic, sentimental, and melodramatic conventions of Spanish American theater. Instead, they reflect the tenor of the dramatic imagination of the mid-to-late twentieth century—an imagination that sought new forms and ways of expressing a new awareness of the Spanish American dilemma.In selecting these plays, William I. Oliver looked for more than mere illustrations of these changes. As a practicing director and playwright, he sought works that are effective on the stage as well as on the page. As an editor and translator, he sought works “that could be translated culturally as well as linguistically.” The six plays in this varied and vigorous anthology are the measure of his success.The plays included are The Day They Let the Lions Loose, by Emilio Carballido (Mexico); The Camp, by Griselda Gambaro (Argentina); The Library, by Carlos Maggi (Uruguay); In the Right Hand of God the Father, by Enrique Buenaventura (Colombia); The Mulatto’s Orgy, by Luisa Josefina Hernández (Mexico); and Viña: Three Beach Plays, by Sergio Vodánovic (Chile).

More books from University of Texas Press

Cover of the book Andean Entrepreneurs by
Cover of the book Recollections of a Tejano Life by
Cover of the book Vietnam by
Cover of the book The Lancelot-Grail Cycle by
Cover of the book Showboats by
Cover of the book French Verbs Made Simple(r) by
Cover of the book A Route 66 Companion by
Cover of the book Identity Politics on the Israeli Screen by
Cover of the book On the Dirty Plate Trail by
Cover of the book Barren Lives by
Cover of the book Coevolution of Animals and Plants by
Cover of the book Chicano Poetry by
Cover of the book Roseborough by
Cover of the book The Mason County "Hoo Doo" War, 1874-1902 by
Cover of the book A Place in the Rain Forest by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy