Wales Unchained

Literature, Politics and Identity in the American Century

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Social & Cultural Studies, Political Science
Cover of the book Wales Unchained by Daniel G. Williams, University of Wales Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Daniel G. Williams ISBN: 9781783162147
Publisher: University of Wales Press Publication: April 15, 2015
Imprint: University of Wales Press Language: English
Author: Daniel G. Williams
ISBN: 9781783162147
Publisher: University of Wales Press
Publication: April 15, 2015
Imprint: University of Wales Press
Language: English

In Wales Unchained Daniel G. Williams explores how Welsh writers, politicians and intellectuals have defined themselves – and have been defined by others – since the early twentieth century. Whether by exploring ideas of race in the 1930s or reflecting on the metaphoric uses of boxing, asking what it means to inhabit the ‘American century’ or probing the linguistic bases of cultural identity, Williams writes with a rare blend of theoretical sophistication and accessible clarity. This book discusses Rhys Davies in relation to D. H. Lawrence, explores the simultaneous impact that Dylan Thomas and saxophonist Charlie Parker had on the Beat Generation in 1950s America, and juxtaposes the uses made of class and ethnicity in the thought of Aneurin Bevan and Paul Robeson. Transatlantic in scope and comparative in method, this book will engage readers interested in literature, politics, history and contemporary cultural debate.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Wales Unchained Daniel G. Williams explores how Welsh writers, politicians and intellectuals have defined themselves – and have been defined by others – since the early twentieth century. Whether by exploring ideas of race in the 1930s or reflecting on the metaphoric uses of boxing, asking what it means to inhabit the ‘American century’ or probing the linguistic bases of cultural identity, Williams writes with a rare blend of theoretical sophistication and accessible clarity. This book discusses Rhys Davies in relation to D. H. Lawrence, explores the simultaneous impact that Dylan Thomas and saxophonist Charlie Parker had on the Beat Generation in 1950s America, and juxtaposes the uses made of class and ethnicity in the thought of Aneurin Bevan and Paul Robeson. Transatlantic in scope and comparative in method, this book will engage readers interested in literature, politics, history and contemporary cultural debate.

More books from University of Wales Press

Cover of the book Claiming the Streets by Daniel G. Williams
Cover of the book The Way They Were by Daniel G. Williams
Cover of the book Richard Marsh by Daniel G. Williams
Cover of the book The Gothic Ideology by Daniel G. Williams
Cover of the book Davis McCaughey by Daniel G. Williams
Cover of the book Up Came a Squatter by Daniel G. Williams
Cover of the book Mahabharata in Polyester by Daniel G. Williams
Cover of the book Politics and Teleology in Kant by Daniel G. Williams
Cover of the book Mining Towns by Daniel G. Williams
Cover of the book Honest History Book by Daniel G. Williams
Cover of the book Long Road by Daniel G. Williams
Cover of the book The Gothic and the Carnivalesque in American Culture by Daniel G. Williams
Cover of the book Vanda & Young by Daniel G. Williams
Cover of the book Diary of a Foreign Minister by Daniel G. Williams
Cover of the book William Robert Grove by Daniel G. Williams
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy