Watts (1817-1904)

Biography & Memoir, Artists, Architects & Photographers, Nonfiction, Art & Architecture, Reference
Cover of the book Watts (1817-1904) by William Loftus Hare, FB Editions
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: William Loftus Hare ISBN: 1230002408453
Publisher: FB Editions Publication: July 4, 2018
Imprint: FB Editions Language: English
Author: William Loftus Hare
ISBN: 1230002408453
Publisher: FB Editions
Publication: July 4, 2018
Imprint: FB Editions
Language: English

In July of 1904 the eighty-seven mortal years of George Frederick Watts came to an end. He had outlived all the contemporaries and acquaintances of his youth; few, even among the now living, knew him in his middle age; while to those of the present generation, who knew little of the man though much of his work, he appeared as members of the Ionides family, thus inaugurating the series of private and public portraits for which he became so famous. The Watts of our day, however, the teacher first and the painter afterwards, had not yet come on the scene. His first aspiration towards monumental painting began in the year 1843, when in a competition for the decoration of the Houses of Parliament he gained a prize of £300 for his cartoon of "Caractacus led Captive through the Streets of Rome." At this time, when history was claiming pictorial art as her servant and expositor, young Watts carried off the prize against the whole of his competitors. This company included the well-known historical painter Haydon, who, from a sense of the impossibility of battling against his financial difficulties, and from the neglect, real or fancied, of the leading politicians, destroyed himself by his own hand.

The £300 took the successful competitor to Italy, where for four years he remained as a guest of Lord Holland. Glimpses of the Italy he gazed upon and loved are preserved for us in a landscape of the hillside town of Fiesole with blue sky and clouds, another of a castellated villa and mountains near Florence, and a third of the "Carrara Mountains near Pisa"; while of his portraiture of that day, "Lady Holland" and "Lady Dorothy Nevill" are relics of the Italian visit.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In July of 1904 the eighty-seven mortal years of George Frederick Watts came to an end. He had outlived all the contemporaries and acquaintances of his youth; few, even among the now living, knew him in his middle age; while to those of the present generation, who knew little of the man though much of his work, he appeared as members of the Ionides family, thus inaugurating the series of private and public portraits for which he became so famous. The Watts of our day, however, the teacher first and the painter afterwards, had not yet come on the scene. His first aspiration towards monumental painting began in the year 1843, when in a competition for the decoration of the Houses of Parliament he gained a prize of £300 for his cartoon of "Caractacus led Captive through the Streets of Rome." At this time, when history was claiming pictorial art as her servant and expositor, young Watts carried off the prize against the whole of his competitors. This company included the well-known historical painter Haydon, who, from a sense of the impossibility of battling against his financial difficulties, and from the neglect, real or fancied, of the leading politicians, destroyed himself by his own hand.

The £300 took the successful competitor to Italy, where for four years he remained as a guest of Lord Holland. Glimpses of the Italy he gazed upon and loved are preserved for us in a landscape of the hillside town of Fiesole with blue sky and clouds, another of a castellated villa and mountains near Florence, and a third of the "Carrara Mountains near Pisa"; while of his portraiture of that day, "Lady Holland" and "Lady Dorothy Nevill" are relics of the Italian visit.

More books from FB Editions

Cover of the book Contes vosgiens by William Loftus Hare
Cover of the book L’héritage de Xénie by William Loftus Hare
Cover of the book Rogues and Adventuresses by William Loftus Hare
Cover of the book The Battle of April 19, 1775 by William Loftus Hare
Cover of the book La vie simple by William Loftus Hare
Cover of the book Il duca nel sobborgo (1909) by William Loftus Hare
Cover of the book Der kleine Dämon by William Loftus Hare
Cover of the book The Town of Tombarel by William Loftus Hare
Cover of the book Attack: An Infantry Subaltern's Impression of July 1st, 1916 by William Loftus Hare
Cover of the book Peter amp Co. by William Loftus Hare
Cover of the book Billabong's Luck by William Loftus Hare
Cover of the book Histoire de la Révolution française - Volume I by William Loftus Hare
Cover of the book Rodin à l'hotel de Biron et à Meudon by William Loftus Hare
Cover of the book "LE 55" UN OUTSIDER DU DERBY by William Loftus Hare
Cover of the book The 'Piping Times' by William Loftus Hare
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy