We'll Have Manhattan

The Early Work of Rodgers & Hart

Nonfiction, Entertainment, Music, Music Styles, Musicals, Theory & Criticism, History & Criticism, Reference
Cover of the book We'll Have Manhattan by Dominic Symonds, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Dominic Symonds ISBN: 9780190216887
Publisher: Oxford University Press Publication: January 28, 2015
Imprint: Oxford University Press Language: English
Author: Dominic Symonds
ISBN: 9780190216887
Publisher: Oxford University Press
Publication: January 28, 2015
Imprint: Oxford University Press
Language: English

Richard Rodgers and Lorenz Hart are one of the defining duos of musical theater, contributing dozens of classic songs to the Great American Songbook and working together on over 40 shows before Hart's death. With hit after hit on both Broadway and the West End, they produced many of the celebrated songs of the '20s and '30s--such as "Manhattan," "The Lady is a Tramp," and "Bewitched"--that remain popular favorites with great cultural resonance today. Yet the early years of these iconic collaborators have remained largely unexamined. We'll Have Manhattan: The Early Work of Rodgers & Hart provides unprecedented insight into the first, formative period of Rodgers and Hart's collaboration. Author Dominic Symonds examines the pair and their work from their first meeting in 1919 to their brief flirtation with Hollywood in the early 1930s as they left the theater to explore sound film. During this time, their output was prodigious, progressive, and experimental. They developed their characteristic style and a new approach to musical theater writing that provided the groundwork for the development of the Broadway musical. Symonds also analyzes the theme of identity that runs throughout Rodgers and Hart's work, how the business side of the theater affected their artistic output, and their continued experimentation with a song's dramatic role within a narrative. We'll Have Manhattan goes beyond a biographical or historical look at Rodgers and Hart's early years--it's also an accessible but authoritative study of their material. Symonds documents their early shows and provides deft critical and analytical commentary on their evolving practice and its influence on the subsequent development of the American musical. Fans of musical theater and devotees of Rodgers and Hart will find this definitive exploration of their early works to be an essential addition to their Broadway library.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Richard Rodgers and Lorenz Hart are one of the defining duos of musical theater, contributing dozens of classic songs to the Great American Songbook and working together on over 40 shows before Hart's death. With hit after hit on both Broadway and the West End, they produced many of the celebrated songs of the '20s and '30s--such as "Manhattan," "The Lady is a Tramp," and "Bewitched"--that remain popular favorites with great cultural resonance today. Yet the early years of these iconic collaborators have remained largely unexamined. We'll Have Manhattan: The Early Work of Rodgers & Hart provides unprecedented insight into the first, formative period of Rodgers and Hart's collaboration. Author Dominic Symonds examines the pair and their work from their first meeting in 1919 to their brief flirtation with Hollywood in the early 1930s as they left the theater to explore sound film. During this time, their output was prodigious, progressive, and experimental. They developed their characteristic style and a new approach to musical theater writing that provided the groundwork for the development of the Broadway musical. Symonds also analyzes the theme of identity that runs throughout Rodgers and Hart's work, how the business side of the theater affected their artistic output, and their continued experimentation with a song's dramatic role within a narrative. We'll Have Manhattan goes beyond a biographical or historical look at Rodgers and Hart's early years--it's also an accessible but authoritative study of their material. Symonds documents their early shows and provides deft critical and analytical commentary on their evolving practice and its influence on the subsequent development of the American musical. Fans of musical theater and devotees of Rodgers and Hart will find this definitive exploration of their early works to be an essential addition to their Broadway library.

More books from Oxford University Press

Cover of the book Emerson's Memory Loss by Dominic Symonds
Cover of the book Harlem Renaissance by Dominic Symonds
Cover of the book Creolization: Oxford Bibliographies Online Research Guide by Dominic Symonds
Cover of the book Archimedes To Hawking : Laws Of Science And The Great Minds Behind Them by Dominic Symonds
Cover of the book Holy Jumpers by Dominic Symonds
Cover of the book When Information Came of Age by Dominic Symonds
Cover of the book Freedom from Religion by Dominic Symonds
Cover of the book Getting Health Reform Right by Dominic Symonds
Cover of the book Was Hinduism Invented? by Dominic Symonds
Cover of the book Can God Be Trusted? by Dominic Symonds
Cover of the book Sayyid Ahmad Khan: Oxford Bibliographies Online Research Guide by Dominic Symonds
Cover of the book Cognitive Remediation for Psychological Disorders by Dominic Symonds
Cover of the book The Japanese Way of Justice by Dominic Symonds
Cover of the book Equilibrium Models in Economics by Dominic Symonds
Cover of the book The Human Animal by Dominic Symonds
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy