What Philosophy Wants from Images

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book What Philosophy Wants from Images by D. N. Rodowick, University of Chicago Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: D. N. Rodowick ISBN: 9780226513225
Publisher: University of Chicago Press Publication: January 8, 2018
Imprint: University of Chicago Press Language: English
Author: D. N. Rodowick
ISBN: 9780226513225
Publisher: University of Chicago Press
Publication: January 8, 2018
Imprint: University of Chicago Press
Language: English

In recent decades, contemporary art has displayed an ever increasing and complicated fascination with the cinema—or, perhaps more accurately, as D. N. Rodowick shows, a certain memory of cinema. Contemporary works of film, video, and moving image installation mine a vast and virtual archive of cultural experience through elliptical and discontinuous fragments of remembered images, even as the lived experience of film and photography recedes into the past, supplanted by the digital.
            Rodowick here explores work by artists such as Ken Jacobs, Ernie Gehr, Victor Burgin, Harun Farocki, and others—artists who are creating forms that express a new historical consciousness of images. These forms acknowledge a complex relationship to the disappearing past even as they point toward new media that will challenge viewers’ confidence in what the images they see are or are becoming. What philosophy wants from images, Rodowick shows, is to renew itself conceptually through deep engagement with new forms of aesthetic experience.
 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In recent decades, contemporary art has displayed an ever increasing and complicated fascination with the cinema—or, perhaps more accurately, as D. N. Rodowick shows, a certain memory of cinema. Contemporary works of film, video, and moving image installation mine a vast and virtual archive of cultural experience through elliptical and discontinuous fragments of remembered images, even as the lived experience of film and photography recedes into the past, supplanted by the digital.
            Rodowick here explores work by artists such as Ken Jacobs, Ernie Gehr, Victor Burgin, Harun Farocki, and others—artists who are creating forms that express a new historical consciousness of images. These forms acknowledge a complex relationship to the disappearing past even as they point toward new media that will challenge viewers’ confidence in what the images they see are or are becoming. What philosophy wants from images, Rodowick shows, is to renew itself conceptually through deep engagement with new forms of aesthetic experience.
 

More books from University of Chicago Press

Cover of the book Fusion of the Worlds by D. N. Rodowick
Cover of the book Breve historia de la lengua española by D. N. Rodowick
Cover of the book Sovereign of the Market by D. N. Rodowick
Cover of the book Heidegger and the Myth of a Jewish World Conspiracy by D. N. Rodowick
Cover of the book African Futures by D. N. Rodowick
Cover of the book Teaching Foreign Language Skills Rev Ed by D. N. Rodowick
Cover of the book Embodied Mind, Meaning, and Reason by D. N. Rodowick
Cover of the book Deadly Edge by D. N. Rodowick
Cover of the book The Nixon Memo by D. N. Rodowick
Cover of the book Systems We Have Loved by D. N. Rodowick
Cover of the book Good Money, Part 2 by D. N. Rodowick
Cover of the book The I in Team by D. N. Rodowick
Cover of the book Our Oldest Task by D. N. Rodowick
Cover of the book Blowin' Up by D. N. Rodowick
Cover of the book Adventure, Mystery, and Romance by D. N. Rodowick
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy