Why Photography Matters

Nonfiction, Art & Architecture, Photography
Cover of the book Why Photography Matters by Jerry L. Thompson, The MIT Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jerry L. Thompson ISBN: 9780262316873
Publisher: The MIT Press Publication: August 23, 2013
Imprint: The MIT Press Language: English
Author: Jerry L. Thompson
ISBN: 9780262316873
Publisher: The MIT Press
Publication: August 23, 2013
Imprint: The MIT Press
Language: English

A lucid and wide-ranging meditation on why photography is unique among the picture-making arts.

Photography matters, writes Jerry Thompson, because of how it works—not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. He constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote “Tell all the Truth but tell it slant”) to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A lucid and wide-ranging meditation on why photography is unique among the picture-making arts.

Photography matters, writes Jerry Thompson, because of how it works—not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. He constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote “Tell all the Truth but tell it slant”) to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way.

More books from The MIT Press

Cover of the book Beyond the Triple Bottom Line by Jerry L. Thompson
Cover of the book Urban Computing by Jerry L. Thompson
Cover of the book The Ethics of Animal Research by Jerry L. Thompson
Cover of the book The Aesthetic of Play by Jerry L. Thompson
Cover of the book Customer-Centric Marketing by Jerry L. Thompson
Cover of the book Disturbed Consciousness by Jerry L. Thompson
Cover of the book Privacy on the Line by Jerry L. Thompson
Cover of the book The Economics and Political Economy of Energy Subsidies by Jerry L. Thompson
Cover of the book The Embodied Mind by Jerry L. Thompson
Cover of the book Connectedness and Contagion by Jerry L. Thompson
Cover of the book Making Design Theory by Jerry L. Thompson
Cover of the book We Used to Wait by Jerry L. Thompson
Cover of the book Adjusted Margin by Jerry L. Thompson
Cover of the book Managing Risk and Uncertainty by Jerry L. Thompson
Cover of the book Memory and Movies by Jerry L. Thompson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy