Why Photography Matters

Nonfiction, Art & Architecture, Photography
Cover of the book Why Photography Matters by Jerry L. Thompson, The MIT Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jerry L. Thompson ISBN: 9780262316873
Publisher: The MIT Press Publication: August 23, 2013
Imprint: The MIT Press Language: English
Author: Jerry L. Thompson
ISBN: 9780262316873
Publisher: The MIT Press
Publication: August 23, 2013
Imprint: The MIT Press
Language: English

A lucid and wide-ranging meditation on why photography is unique among the picture-making arts.

Photography matters, writes Jerry Thompson, because of how it works—not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. He constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote “Tell all the Truth but tell it slant”) to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A lucid and wide-ranging meditation on why photography is unique among the picture-making arts.

Photography matters, writes Jerry Thompson, because of how it works—not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. He constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote “Tell all the Truth but tell it slant”) to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way.

More books from The MIT Press

Cover of the book Features of Person by Jerry L. Thompson
Cover of the book What Do Science, Technology, and Innovation Mean from Africa? by Jerry L. Thompson
Cover of the book Tomorrow's Energy by Jerry L. Thompson
Cover of the book Africa's Turn? by Jerry L. Thompson
Cover of the book Building Ontologies with Basic Formal Ontology by Jerry L. Thompson
Cover of the book Reform of the International Monetary System by Jerry L. Thompson
Cover of the book Atari Age by Jerry L. Thompson
Cover of the book Statistical Approaches to Gene x Environment Interactions for Complex Phenotypes by Jerry L. Thompson
Cover of the book Sources of Power by Jerry L. Thompson
Cover of the book The Time of Our Lives by Jerry L. Thompson
Cover of the book Playing Smart by Jerry L. Thompson
Cover of the book The Interdisciplinary Science of Consumption by Jerry L. Thompson
Cover of the book How Reform Worked in China by Jerry L. Thompson
Cover of the book Knowledge Management in Theory and Practice by Jerry L. Thompson
Cover of the book Of Remixology by Jerry L. Thompson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy