Why the House Is Made of Gingerbread

Poems

Fiction & Literature, Poetry
Cover of the book Why the House Is Made of Gingerbread by Ava Leavell Haymon, LSU Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ava Leavell Haymon ISBN: 9780807137574
Publisher: LSU Press Publication: December 1, 2010
Imprint: LSU Press Language: English
Author: Ava Leavell Haymon
ISBN: 9780807137574
Publisher: LSU Press
Publication: December 1, 2010
Imprint: LSU Press
Language: English

One of the most critically acclaimed yet least recognized contemporary writers, African American author John Edgar Wideman creates work often described as difficult, even unfathomable. In Writing Blackness, James Coleman examines Wideman’s prolific body of work with the goal of making his often elusive imagery and dense style more accessible and thus broadening his readership. More so than for most writers, Coleman shows, Wideman’s life has affected his writing. Born in 1941, Wideman grew up in a Pittsburgh suburb where he attended an integrated high school, starred on the basketball team, and was senior class president and valedictorian. At the University of Pennsylvania he studied creative writing and became an all–Ivy League basketball player. Winning a Rhodes scholarship, he studied at Oxford, after which he returned to Penn and became its first black tenured professor. Wideman published his first novel, A Glance Away, at age twenty-six and by 1973 had published two more works of fiction. But for all this success, something began to wear on him. In 1973, his grandmother died, and after listening to family stories when he traveled home for the funeral, Wideman began to change his world view. Between 1973 and 1981 Wideman published nothing and immersed himself in African American culture, reading widely and—even more important—moving much closer to his family. Since 1981, Wideman has refocused his life and writing on blackness and published twelve experimental works, all very different from his earlier books. Coleman examines nearly all of Wideman’s work, from A Glance Away (1967) to Fanon (2008). He shows how Wideman has developed a unique style that combines elements of fiction, biography, memoir, history, legend, folklore, waking life, and dream in innovative ways in an effort to grasp the meaning of blackness—an effort that makes his writing challenging but that holds more than ample rewards for the perceptive reader. In Writing Blackness, Coleman demonstrates why Wideman ranks among the best of contemporary American writers.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

One of the most critically acclaimed yet least recognized contemporary writers, African American author John Edgar Wideman creates work often described as difficult, even unfathomable. In Writing Blackness, James Coleman examines Wideman’s prolific body of work with the goal of making his often elusive imagery and dense style more accessible and thus broadening his readership. More so than for most writers, Coleman shows, Wideman’s life has affected his writing. Born in 1941, Wideman grew up in a Pittsburgh suburb where he attended an integrated high school, starred on the basketball team, and was senior class president and valedictorian. At the University of Pennsylvania he studied creative writing and became an all–Ivy League basketball player. Winning a Rhodes scholarship, he studied at Oxford, after which he returned to Penn and became its first black tenured professor. Wideman published his first novel, A Glance Away, at age twenty-six and by 1973 had published two more works of fiction. But for all this success, something began to wear on him. In 1973, his grandmother died, and after listening to family stories when he traveled home for the funeral, Wideman began to change his world view. Between 1973 and 1981 Wideman published nothing and immersed himself in African American culture, reading widely and—even more important—moving much closer to his family. Since 1981, Wideman has refocused his life and writing on blackness and published twelve experimental works, all very different from his earlier books. Coleman examines nearly all of Wideman’s work, from A Glance Away (1967) to Fanon (2008). He shows how Wideman has developed a unique style that combines elements of fiction, biography, memoir, history, legend, folklore, waking life, and dream in innovative ways in an effort to grasp the meaning of blackness—an effort that makes his writing challenging but that holds more than ample rewards for the perceptive reader. In Writing Blackness, Coleman demonstrates why Wideman ranks among the best of contemporary American writers.

More books from LSU Press

Cover of the book Cosmos by Ava Leavell Haymon
Cover of the book The Confederate Heartland by Ava Leavell Haymon
Cover of the book An Unnatural Metropolis by Ava Leavell Haymon
Cover of the book Enamel Eyes, a Fantasia on Paris, 1870 by Ava Leavell Haymon
Cover of the book Visitations by Ava Leavell Haymon
Cover of the book Slim Harpo by Ava Leavell Haymon
Cover of the book Edna Ferber's America by Ava Leavell Haymon
Cover of the book Hearts of Darkness by Ava Leavell Haymon
Cover of the book Love Is No Small Thing by Ava Leavell Haymon
Cover of the book Thomas Dixon Jr. and the Birth of Modern America by Ava Leavell Haymon
Cover of the book Unknown Caller by Ava Leavell Haymon
Cover of the book The Great African Slave Revolt of 1825 by Ava Leavell Haymon
Cover of the book Race, Theft, and Ethics by Ava Leavell Haymon
Cover of the book Blacksnake at the Family Reunion by Ava Leavell Haymon
Cover of the book The Next Elvis by Ava Leavell Haymon
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy