Women Artists and Writers

Modernist (Im)Positionings

Fiction & Literature, Literary Theory & Criticism
Cover of the book Women Artists and Writers by B. J. Elliott, Jo-Ann Wallace, Taylor and Francis
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Author: B. J. Elliott, Jo-Ann Wallace ISBN: 9781317762133
Publisher: Taylor and Francis Publication: June 3, 2014
Imprint: Routledge Language: English
Author: B. J. Elliott, Jo-Ann Wallace
ISBN: 9781317762133
Publisher: Taylor and Francis
Publication: June 3, 2014
Imprint: Routledge
Language: English

In this beautifully illustrated and provocative study, Bridget Elliott and Jo-Ann Wallace reappraise women's literary and artistic contribution to Modernism. Through comparative case studies, including Natalie Barney, Virginia Woolf, Vanessa Bell and Gertrude Stein, the authors examine the ways in which women responded to Modernism and created their artistic identity, and how their work has been positioned in relation to that of men.
Bringing together women's studies, visual arts and literature, Women Writers and Artists makes an important contribution to 20th century cultural history. It puts forward a powerful case against the academic division of cultural production into departments of Art History and English Studies, which has served to marginalize the work of female Modernists.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this beautifully illustrated and provocative study, Bridget Elliott and Jo-Ann Wallace reappraise women's literary and artistic contribution to Modernism. Through comparative case studies, including Natalie Barney, Virginia Woolf, Vanessa Bell and Gertrude Stein, the authors examine the ways in which women responded to Modernism and created their artistic identity, and how their work has been positioned in relation to that of men.
Bringing together women's studies, visual arts and literature, Women Writers and Artists makes an important contribution to 20th century cultural history. It puts forward a powerful case against the academic division of cultural production into departments of Art History and English Studies, which has served to marginalize the work of female Modernists.

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