Women, the Recited Qur'an, and Islamic Music in Indonesia

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, Religion & Spirituality, Middle East Religions, Islam, Social & Cultural Studies, Social Science, Gender Studies
Cover of the book Women, the Recited Qur'an, and Islamic Music in Indonesia by Anne Rasmussen, University of California Press
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Author: Anne Rasmussen ISBN: 9780520947429
Publisher: University of California Press Publication: August 23, 2010
Imprint: University of California Press Language: English
Author: Anne Rasmussen
ISBN: 9780520947429
Publisher: University of California Press
Publication: August 23, 2010
Imprint: University of California Press
Language: English

Women, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an, and where an extraordinary diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on unique and revealing ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful role of music in the expression of religious nationalism. In particular, it focuses on musical style, women's roles, and the ideological and aesthetic issues raised by the Indonesian style of recitation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Women, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an, and where an extraordinary diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on unique and revealing ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful role of music in the expression of religious nationalism. In particular, it focuses on musical style, women's roles, and the ideological and aesthetic issues raised by the Indonesian style of recitation.

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