Writing Pancho Villa's Revolution

Rebels in the Literary Imagination of Mexico

Fiction & Literature, Literary Theory & Criticism, Central & South American
Cover of the book Writing Pancho Villa's Revolution by Max Parra, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Max Parra ISBN: 9780292774162
Publisher: University of Texas Press Publication: January 1, 2010
Imprint: University of Texas Press Language: English
Author: Max Parra
ISBN: 9780292774162
Publisher: University of Texas Press
Publication: January 1, 2010
Imprint: University of Texas Press
Language: English

The 1910 Mexican Revolution saw Francisco "Pancho" Villa grow from social bandit to famed revolutionary leader. Although his rise to national prominence was short-lived, he and his followers (the villistas) inspired deep feelings of pride and power amongst the rural poor. After the Revolution (and Villa's ultimate defeat and death), the new ruling elite, resentful of his enormous popularity, marginalized and discounted him and his followers as uncivilized savages. Hence, it was in the realm of culture rather than politics that his true legacy would be debated and shaped.Mexican literature following the Revolution created an enduring image of Villa and his followers. Writing Pancho Villa's Revolution focuses on the novels, chronicles, and testimonials written from 1925 to 1940 that narrated Villa's grassroots insurgency and celebrated—or condemned—his charismatic leadership. By focusing on works by urban writers Mariano Azuela (Los de abajo) and Martn Luis Guzmán (El águila y la serpiente), as well as works closer to the violent tradition of northern Mexican frontier life by Nellie Campobello (Cartucho), Celia Herrera (Villa ante la historia), and Rafael F. Muoz (Vámonos con Pancho Villa!), this book examines the alternative views of the revolution and of the villistas. Max Parra studies how these works articulate different and at times competing views about class and the cultural "otherness" of the rebellious masses. This unique revisionist study of the villista novel also offers a deeper look into the process of how a nation's collective identity is formed.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The 1910 Mexican Revolution saw Francisco "Pancho" Villa grow from social bandit to famed revolutionary leader. Although his rise to national prominence was short-lived, he and his followers (the villistas) inspired deep feelings of pride and power amongst the rural poor. After the Revolution (and Villa's ultimate defeat and death), the new ruling elite, resentful of his enormous popularity, marginalized and discounted him and his followers as uncivilized savages. Hence, it was in the realm of culture rather than politics that his true legacy would be debated and shaped.Mexican literature following the Revolution created an enduring image of Villa and his followers. Writing Pancho Villa's Revolution focuses on the novels, chronicles, and testimonials written from 1925 to 1940 that narrated Villa's grassroots insurgency and celebrated—or condemned—his charismatic leadership. By focusing on works by urban writers Mariano Azuela (Los de abajo) and Martn Luis Guzmán (El águila y la serpiente), as well as works closer to the violent tradition of northern Mexican frontier life by Nellie Campobello (Cartucho), Celia Herrera (Villa ante la historia), and Rafael F. Muoz (Vámonos con Pancho Villa!), this book examines the alternative views of the revolution and of the villistas. Max Parra studies how these works articulate different and at times competing views about class and the cultural "otherness" of the rebellious masses. This unique revisionist study of the villista novel also offers a deeper look into the process of how a nation's collective identity is formed.

More books from University of Texas Press

Cover of the book German Seed in Texas Soil by Max Parra
Cover of the book A History of Fort Worth in Black & White by Max Parra
Cover of the book The Unexamined Orwell by Max Parra
Cover of the book Forms of Modern British Fiction by Max Parra
Cover of the book Transatlantic Dialogue by Max Parra
Cover of the book Amazon Sweet Sea by Max Parra
Cover of the book Experimental Latin American Cinema by Max Parra
Cover of the book The Unruly Woman by Max Parra
Cover of the book The Independent Republic of Arequipa by Max Parra
Cover of the book Dinarchus, Hyperides, and Lycurgus by Max Parra
Cover of the book Blossoms and Blood by Max Parra
Cover of the book Theater & Propaganda by Max Parra
Cover of the book The Understructure of Writing for Film and Television by Max Parra
Cover of the book The Story of Big Bend National Park by Max Parra
Cover of the book Yutopian by Max Parra
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy