Yoruba Traditions and African American Religious Nationalism

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, African-American Studies
Cover of the book Yoruba Traditions and African American Religious Nationalism by Tracey E. Hucks, Davíd Carrasco, University of New Mexico Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tracey E. Hucks, Davíd Carrasco ISBN: 9780826350770
Publisher: University of New Mexico Press Publication: May 16, 2012
Imprint: University of New Mexico Press Language: English
Author: Tracey E. Hucks, Davíd Carrasco
ISBN: 9780826350770
Publisher: University of New Mexico Press
Publication: May 16, 2012
Imprint: University of New Mexico Press
Language: English

Exploring the Yoruba tradition in the United States, Hucks begins with the story of Nana Oseijeman Adefunmi’s personal search for identity and meaning as a young man in Detroit in the 1930s and 1940s. She traces his development as an artist, religious leader, and founder of several African-influenced religio-cultural projects in Harlem and later in the South. Adefunmi was part of a generation of young migrants attracted to the bohemian lifestyle of New York City and the black nationalist fervor of Harlem. Cofounding Shango Temple in 1959, Yoruba Temple in 1960, and Oyotunji African Village in 1970, Adefunmi and other African Americans in that period renamed themselves “Yorubas” and engaged in the task of transforming Cuban Santer'a into a new religious expression that satisfied their racial and nationalist leanings and eventually helped to place African Americans on a global religious schema alongside other Yoruba practitioners in Africa and the diaspora.

Alongside the story of Adefunmi, Hucks weaves historical and sociological analyses of the relationship between black cultural nationalism and reinterpretations of the meaning of Africa from within the African American community.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Exploring the Yoruba tradition in the United States, Hucks begins with the story of Nana Oseijeman Adefunmi’s personal search for identity and meaning as a young man in Detroit in the 1930s and 1940s. She traces his development as an artist, religious leader, and founder of several African-influenced religio-cultural projects in Harlem and later in the South. Adefunmi was part of a generation of young migrants attracted to the bohemian lifestyle of New York City and the black nationalist fervor of Harlem. Cofounding Shango Temple in 1959, Yoruba Temple in 1960, and Oyotunji African Village in 1970, Adefunmi and other African Americans in that period renamed themselves “Yorubas” and engaged in the task of transforming Cuban Santer'a into a new religious expression that satisfied their racial and nationalist leanings and eventually helped to place African Americans on a global religious schema alongside other Yoruba practitioners in Africa and the diaspora.

Alongside the story of Adefunmi, Hucks weaves historical and sociological analyses of the relationship between black cultural nationalism and reinterpretations of the meaning of Africa from within the African American community.

More books from University of New Mexico Press

Cover of the book Reining in the Rio Grande by Tracey E. Hucks, Davíd Carrasco
Cover of the book Saved in Time: The Fight to Establish Florissant Fossil Beds National Monument, Colorado by Tracey E. Hucks, Davíd Carrasco
Cover of the book A Walk Around the Horizon by Tracey E. Hucks, Davíd Carrasco
Cover of the book The Coronado Expedition: From the Distance of 460 Years by Tracey E. Hucks, Davíd Carrasco
Cover of the book Amada's Blessings from the Peyote Gardens of South Texas by Tracey E. Hucks, Davíd Carrasco
Cover of the book Aztlán by Tracey E. Hucks, Davíd Carrasco
Cover of the book The Case of the Indian Trader by Tracey E. Hucks, Davíd Carrasco
Cover of the book The Deportation of Wopper Barraza by Tracey E. Hucks, Davíd Carrasco
Cover of the book The Soledad Crucifixion by Tracey E. Hucks, Davíd Carrasco
Cover of the book Hiking to History by Tracey E. Hucks, Davíd Carrasco
Cover of the book Fly-Fishing Secrets of the Ancients by Tracey E. Hucks, Davíd Carrasco
Cover of the book The Taos Truth Game by Tracey E. Hucks, Davíd Carrasco
Cover of the book Across the Great Divide: A Photo Chronicle of the Counterculture by Tracey E. Hucks, Davíd Carrasco
Cover of the book Loose Cannons by Tracey E. Hucks, Davíd Carrasco
Cover of the book Southwest Aquatic Habitats by Tracey E. Hucks, Davíd Carrasco
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy