Zen Poems of China and Japan

The Crane's Bill

Nonfiction, Religion & Spirituality, Eastern Religions, Zen Buddhism, Fiction & Literature, Poetry
Cover of the book Zen Poems of China and Japan by Lucien Stryk, Takashi Ikemoto, Grove Atlantic
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Author: Lucien Stryk, Takashi Ikemoto ISBN: 9780802198266
Publisher: Grove Atlantic Publication: December 1, 2007
Imprint: Grove Press Language: English
Author: Lucien Stryk, Takashi Ikemoto
ISBN: 9780802198266
Publisher: Grove Atlantic
Publication: December 1, 2007
Imprint: Grove Press
Language: English

“Excellent . . . A fine introduction to Chinese and Japanese Zen poetry for all readers” from the editors of Zen Poetry: Let the Spring Breeze Enter (Choice).

Capturing in verse the ageless spirit of Zen, these 150 poems reflect the insight of famed masters from the ninth century to the nineteenth. The translators, in collaboration with Zen Master Taigan Takayama, have furnished illuminating commentary on the poems and arranged them as to facilitate comparison between the Chinese and Japanese Zen traditions. The poems themselves, rendered in clear and powerful English, offer a unique approach to Zen Buddhism, “compared with which,” as Lucien Stryk writes, “the many disquisitions on its meaning are as dust to living earth. We see in these poems, as in all important religious art, East or West, revelations of spiritual truths touched by a kind of divinity.”

“One of the most intimate and dynamic books yet published on Zen.” —Sanford Goldstein, Arizona Quarterly

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

“Excellent . . . A fine introduction to Chinese and Japanese Zen poetry for all readers” from the editors of Zen Poetry: Let the Spring Breeze Enter (Choice).

Capturing in verse the ageless spirit of Zen, these 150 poems reflect the insight of famed masters from the ninth century to the nineteenth. The translators, in collaboration with Zen Master Taigan Takayama, have furnished illuminating commentary on the poems and arranged them as to facilitate comparison between the Chinese and Japanese Zen traditions. The poems themselves, rendered in clear and powerful English, offer a unique approach to Zen Buddhism, “compared with which,” as Lucien Stryk writes, “the many disquisitions on its meaning are as dust to living earth. We see in these poems, as in all important religious art, East or West, revelations of spiritual truths touched by a kind of divinity.”

“One of the most intimate and dynamic books yet published on Zen.” —Sanford Goldstein, Arizona Quarterly

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