'A Mediation on John Constable' - Charles Tomlinson and his poetical concept

Charles Tomlinson and his poetical concept

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book 'A Mediation on John Constable' - Charles Tomlinson and his poetical concept by Bernd Evers, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Bernd Evers ISBN: 9783638500043
Publisher: GRIN Verlag Publication: May 10, 2006
Imprint: GRIN Verlag Language: English
Author: Bernd Evers
ISBN: 9783638500043
Publisher: GRIN Verlag
Publication: May 10, 2006
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2000 in the subject English Language and Literature Studies - Linguistics, grade: 2, University of Potsdam (Institut für Anglistik/Amerikanistik), course: PS '20th century English poetry', 9 entries in the bibliography, language: English, abstract: If you look at a list showing the most important English poets in 20th century literature, Charles Tomlinson is often one of the persons you will miss, or at least, only find in the background. Instead, the list is fixed on poets like Ted Hughes, Philip Larkin or Seamus Heaney. This has got several reasons: it is not the fact that Charles Tomlinson has published only a few works, but it is the difficulty to put him and his poems in one category. Tomlinson, who has published since 1950 in each decade, has been influenced by the different conceptions about art throughout the years. The poem I want to analyse was written in 1953, at the beginning of Tomlinson's writing, in a time, when English poetry was dominated by the realistic style of writing of the Movement poets. This poem deals about the English painter John Constable, who is famous for his landscape paintings and especially his cloud pictures. The poem is a good example to show Tomlinson's position towards the term of 'art' in general and his opinion about contemporary poetry. As he is today most famous for his poems about natural phenomena, this poem can be regarded as one of his most meaningful ones. The upcoming analysis should discuss this poem in order to its content, structure and style and should especially answer the question where in the 20thcentury Tomlinson and his concept of poetry should be integrated and where he stands for.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2000 in the subject English Language and Literature Studies - Linguistics, grade: 2, University of Potsdam (Institut für Anglistik/Amerikanistik), course: PS '20th century English poetry', 9 entries in the bibliography, language: English, abstract: If you look at a list showing the most important English poets in 20th century literature, Charles Tomlinson is often one of the persons you will miss, or at least, only find in the background. Instead, the list is fixed on poets like Ted Hughes, Philip Larkin or Seamus Heaney. This has got several reasons: it is not the fact that Charles Tomlinson has published only a few works, but it is the difficulty to put him and his poems in one category. Tomlinson, who has published since 1950 in each decade, has been influenced by the different conceptions about art throughout the years. The poem I want to analyse was written in 1953, at the beginning of Tomlinson's writing, in a time, when English poetry was dominated by the realistic style of writing of the Movement poets. This poem deals about the English painter John Constable, who is famous for his landscape paintings and especially his cloud pictures. The poem is a good example to show Tomlinson's position towards the term of 'art' in general and his opinion about contemporary poetry. As he is today most famous for his poems about natural phenomena, this poem can be regarded as one of his most meaningful ones. The upcoming analysis should discuss this poem in order to its content, structure and style and should especially answer the question where in the 20thcentury Tomlinson and his concept of poetry should be integrated and where he stands for.

More books from GRIN Verlag

Cover of the book Erläutern und reflektieren Sie die Krisen- und Konfliktdynamiken unter der Lebenslage Armut im Übergang von der Schule in die Berufsausbildung/selbstständige Erwerbsarbeit by Bernd Evers
Cover of the book Images of Fire, Warmth and Light in Mary Shelley's Novels by Bernd Evers
Cover of the book Inwiefern unterscheiden sich Deutschland und Österreich bezüglich des Arbeitsschutzes? by Bernd Evers
Cover of the book Anforderungen an Lehrkräfte im Dualen System beim Einsatz von Wikis in Lehr-Lern-Arrangements by Bernd Evers
Cover of the book Die Ursachen der 68er by Bernd Evers
Cover of the book Physiologie im Berufskontext Shiatsu by Bernd Evers
Cover of the book Der deutsch-deutsche Einigungsprozess. Bildungssystemtransformation in Ostdeutschland by Bernd Evers
Cover of the book Von der Straße ins Haus by Bernd Evers
Cover of the book Das Recht am eigenen Bild als Vermögensrecht by Bernd Evers
Cover of the book Befugnisse und Zusammensetzung eines europäischen Betriebsrates by Bernd Evers
Cover of the book Analyse politischer Reden by Bernd Evers
Cover of the book Folgen der Kreditkrise für die US-Wirtschaft by Bernd Evers
Cover of the book Eine Drehbuchanalyse zu 'In einem anderen Land' von Willy Purucker by Bernd Evers
Cover of the book Die Rolle der Krankenpflege im Nationalsozialismus (1933-1945). Zur Euthanasie in Landeskrankenhäusern by Bernd Evers
Cover of the book Lebkuchenbacken wie in Nürnberg. Unterrichtsentwurf für eine Exkursion by Bernd Evers
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy