A Strange World: A Novel (Complete)

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book A Strange World: A Novel (Complete) by Mary Elizabeth Braddon, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mary Elizabeth Braddon ISBN: 9781465625700
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Mary Elizabeth Braddon
ISBN: 9781465625700
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

A fair slope of land in buttercup-time, just when May, the capricious, melts into tender June—a slope of fertile pasture within two miles of the city of Eborsham, whose cathedral towers rise tall in the blue dim distance—a wealth of hedgerow flowers on every side, and all the air full of their faint sweet perfume, mixed with the odorous breath of the fast perishing hawthorn. Two figures are seated in a corner of the meadow, beneath the umbrage of an ancient thorn not Arcadian or pastoral figures by any means;—not Phillis the milkmaid, with sun-browned brow and carnation cheeks, not Corydon fluting sweetly on his tuneful pipe as he reclines at her feet;—but two figures which carry the unmistakable stamp of city life in every feature and every garment. One is a tall, slender girl of seventeen, with a pale, tired face, and a look of having outgrown her strength, shot up too swiftly from childhood to girlhood, like a fast-growing weed. The other is a man who may be any age from forty to sixty, a man with sparse grey hair crowning a high forehead, bluish-grey eyes, under thick dark brows, a red nose, a mouth that looks as if it had been made for eating and drinking rather than oratory, a heavy jaw, and a figure inclining to corpulence. The girl's eyes are large and clear, and changeful, of that dark blue-grey which often looks like black. The delicate young face possesses no other strong claim to be admired, and would be a scarcely noticeable countenance, perhaps, save for those grey eyes. The raiment of both man and girl is of the shabbiest. His threadbare coat has become luminous with much friction, a kind of phosphorescent brightness pervades the sleeves, like the oleaginous scum that pollutes the surface of a city river; the tall hat which lies beside him in the deep grass has a look of having been soaped. His boots have obviously been soled and heeled, and have arrived at that debatable period in boot-life when they must either be soled again or hie them straight to the dust-hole. The girl's gown is faded and too short for her long legs, her mantle a flimsy silken thing of an almost forgotten fashion, her hat a fabric of tawdry net and ribbon patched together by her own unskilled hands.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A fair slope of land in buttercup-time, just when May, the capricious, melts into tender June—a slope of fertile pasture within two miles of the city of Eborsham, whose cathedral towers rise tall in the blue dim distance—a wealth of hedgerow flowers on every side, and all the air full of their faint sweet perfume, mixed with the odorous breath of the fast perishing hawthorn. Two figures are seated in a corner of the meadow, beneath the umbrage of an ancient thorn not Arcadian or pastoral figures by any means;—not Phillis the milkmaid, with sun-browned brow and carnation cheeks, not Corydon fluting sweetly on his tuneful pipe as he reclines at her feet;—but two figures which carry the unmistakable stamp of city life in every feature and every garment. One is a tall, slender girl of seventeen, with a pale, tired face, and a look of having outgrown her strength, shot up too swiftly from childhood to girlhood, like a fast-growing weed. The other is a man who may be any age from forty to sixty, a man with sparse grey hair crowning a high forehead, bluish-grey eyes, under thick dark brows, a red nose, a mouth that looks as if it had been made for eating and drinking rather than oratory, a heavy jaw, and a figure inclining to corpulence. The girl's eyes are large and clear, and changeful, of that dark blue-grey which often looks like black. The delicate young face possesses no other strong claim to be admired, and would be a scarcely noticeable countenance, perhaps, save for those grey eyes. The raiment of both man and girl is of the shabbiest. His threadbare coat has become luminous with much friction, a kind of phosphorescent brightness pervades the sleeves, like the oleaginous scum that pollutes the surface of a city river; the tall hat which lies beside him in the deep grass has a look of having been soaped. His boots have obviously been soled and heeled, and have arrived at that debatable period in boot-life when they must either be soled again or hie them straight to the dust-hole. The girl's gown is faded and too short for her long legs, her mantle a flimsy silken thing of an almost forgotten fashion, her hat a fabric of tawdry net and ribbon patched together by her own unskilled hands.

More books from Library of Alexandria

Cover of the book Italian Yesterdays and More Italian Yesterdays by Mary Elizabeth Braddon
Cover of the book The Homilies of The Anglo-Saxon Church: Containing The Sermones Catholici or Homilies of Ælfric in The Original Anglo-Saxon With an English Version, Volume I. by Mary Elizabeth Braddon
Cover of the book The Centralia Conspiracy by Mary Elizabeth Braddon
Cover of the book Scotland Yard: The Methods and Organisation of the Metropolitan Police by Mary Elizabeth Braddon
Cover of the book More Science From an Easy Chair by Mary Elizabeth Braddon
Cover of the book Unterm Birnbaum by Mary Elizabeth Braddon
Cover of the book Sixty Years in Southern California 1853-1913 Containing the Reminiscences of Harris Newmark by Mary Elizabeth Braddon
Cover of the book Hawaiian Historical Legends by Mary Elizabeth Braddon
Cover of the book Constantinople: The Story of the Old Capital of the Empire by Mary Elizabeth Braddon
Cover of the book The Story of the Trapper by Mary Elizabeth Braddon
Cover of the book Among the Canadian Alps by Mary Elizabeth Braddon
Cover of the book The Forgery: Best Intentions by Mary Elizabeth Braddon
Cover of the book The Bomb-Makers: Being some Curious Records Concerning the Craft and Cunning of Theodore Drost, an Enemy al by Mary Elizabeth Braddon
Cover of the book The Arabian Nights Entertainments - Volume 01 by Mary Elizabeth Braddon
Cover of the book The Story of the Greatest Nations and the World's Famous Events by Mary Elizabeth Braddon
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy