Applied Theatre: Aesthetics

Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism
Cover of the book Applied Theatre: Aesthetics by Gareth White, Dr Sheila Preston, Prof Michael Balfour, Bloomsbury Publishing
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Author: Gareth White, Dr Sheila Preston, Prof Michael Balfour ISBN: 9781472507594
Publisher: Bloomsbury Publishing Publication: February 26, 2015
Imprint: Methuen Drama Language: English
Author: Gareth White, Dr Sheila Preston, Prof Michael Balfour
ISBN: 9781472507594
Publisher: Bloomsbury Publishing
Publication: February 26, 2015
Imprint: Methuen Drama
Language: English

Applied Theatre: Aesthetics re-examines how the idea of 'the aesthetic' is relevant to performance in social settings. The disinterestedness that traditional aesthetics claims as a key characteristic of art makes little sense when making performances with ordinary people, rooted in their lives and communities, and with personal and social change as its aim. Yet practitioners of applied arts know that their work is not reducible to social work, therapy or education. Reconciling the simultaneous autonomy and heteronomy of art is the problem of aesthetics in applied arts.

Gareth White's introductory essay reviews the field, and proposes an interdisciplinary approach that builds on new developments in evolutionary, cognitive and neuro-aesthetics alongside the politics of art. It addresses the complexities of art and the aesthetic as everyday behaviours and responses.

The second part of the book is made up of essays from leading experts and new voices in the practice and theory of applied performance, reflecting on the key problematics of applying performance with non-performers. New and innovative practice is described and interrogated, and fresh thinking is introduced in response to perennial problems.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Applied Theatre: Aesthetics re-examines how the idea of 'the aesthetic' is relevant to performance in social settings. The disinterestedness that traditional aesthetics claims as a key characteristic of art makes little sense when making performances with ordinary people, rooted in their lives and communities, and with personal and social change as its aim. Yet practitioners of applied arts know that their work is not reducible to social work, therapy or education. Reconciling the simultaneous autonomy and heteronomy of art is the problem of aesthetics in applied arts.

Gareth White's introductory essay reviews the field, and proposes an interdisciplinary approach that builds on new developments in evolutionary, cognitive and neuro-aesthetics alongside the politics of art. It addresses the complexities of art and the aesthetic as everyday behaviours and responses.

The second part of the book is made up of essays from leading experts and new voices in the practice and theory of applied performance, reflecting on the key problematics of applying performance with non-performers. New and innovative practice is described and interrogated, and fresh thinking is introduced in response to perennial problems.

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