Athaliah: A Tragedy Intended for Reading Only Translated Into English Blank Verse From Racine

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Athaliah: A Tragedy Intended for Reading Only Translated Into English Blank Verse From Racine by J. Donkersley, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: J. Donkersley ISBN: 9781465526021
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: J. Donkersley
ISBN: 9781465526021
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
Racine, the author of Athalie (Athaliah), flourished in the latter half of the 17th century. At his appearance, Corneille, the great French Dramatist, was in the full splendour of his fame, whose rival he was afterwards recognised to be. Athalie is a Tragedy in rhyme, consisting of six Iambic feet, similar to the Alexandrine verse found occasionally in our English poets at the termination of a sentence or paragraph. Dryden, and a few Others of less note, in the reign of Charles IL, introduced the rhyming drama to the English public; but the clank of its fetters was unpleasant to the British ear, which had become attuned to the freedom and majesty of blank verse. Blank verse, therefore, being our recognised vehicle of dramatic productions, has been employed in this translation. I did, however, intend in the first place to render the chorus into rhyme; but after maturer consideration it appeared to me that irregular blank verse would be more capable of tragic expression; and that it would also be more in harmony with the Hebrew rhythm as represented by the scriptures, from which the plot was appropriated. In carrying out my conception of what the translation ought to be, I have endeavoured to preserve the dignity of the subject, without sacrificing the freedom of dramatic force. It has, therefore, not been my aim to produce smooth monotonous numbers, but to harmonize the whole versification with the spirit and conditions of the theme. I have retained several of the French names, on account of their measure and euphony. Joas and Joad I have, I believe, invariably versified as one syllable, and Baal also, with one exception, which occurs in the first page; these words, to my judgment, being scarcely of greater quantity than thought, wrought, brought, &c. Should the reader realize the same amount of interest in the perusal of this translation that I have had in its production, I shall be amply rewarded for the genial labour bestowed upon it
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Racine, the author of Athalie (Athaliah), flourished in the latter half of the 17th century. At his appearance, Corneille, the great French Dramatist, was in the full splendour of his fame, whose rival he was afterwards recognised to be. Athalie is a Tragedy in rhyme, consisting of six Iambic feet, similar to the Alexandrine verse found occasionally in our English poets at the termination of a sentence or paragraph. Dryden, and a few Others of less note, in the reign of Charles IL, introduced the rhyming drama to the English public; but the clank of its fetters was unpleasant to the British ear, which had become attuned to the freedom and majesty of blank verse. Blank verse, therefore, being our recognised vehicle of dramatic productions, has been employed in this translation. I did, however, intend in the first place to render the chorus into rhyme; but after maturer consideration it appeared to me that irregular blank verse would be more capable of tragic expression; and that it would also be more in harmony with the Hebrew rhythm as represented by the scriptures, from which the plot was appropriated. In carrying out my conception of what the translation ought to be, I have endeavoured to preserve the dignity of the subject, without sacrificing the freedom of dramatic force. It has, therefore, not been my aim to produce smooth monotonous numbers, but to harmonize the whole versification with the spirit and conditions of the theme. I have retained several of the French names, on account of their measure and euphony. Joas and Joad I have, I believe, invariably versified as one syllable, and Baal also, with one exception, which occurs in the first page; these words, to my judgment, being scarcely of greater quantity than thought, wrought, brought, &c. Should the reader realize the same amount of interest in the perusal of this translation that I have had in its production, I shall be amply rewarded for the genial labour bestowed upon it

More books from Library of Alexandria

Cover of the book Beitrage zur Entdeckung und Erforschung Africa's. Berichte aus den Jahren 1870-1875 by J. Donkersley
Cover of the book Beowulf: An Introduction to the Study of the Poem With a Discussion of the Stories of Offa and Finn by J. Donkersley
Cover of the book Life in Morocco and Glimpses Beyond by J. Donkersley
Cover of the book Psychoanalysis: Sleep and Dreams by J. Donkersley
Cover of the book Vocational Psychology: Its Problems and Methods by J. Donkersley
Cover of the book The Bishop and Other Stories by J. Donkersley
Cover of the book Old Mary by J. Donkersley
Cover of the book From Sail to Steam, Recollections of Naval Life by J. Donkersley
Cover of the book Die Stadt ohne Juden: Ein Roman von übermorgen by J. Donkersley
Cover of the book Madame Sans-Gêne: Roman tiré de la Pièce de Mm. Victorien Sardou et Émile Moreau, La Maréchale, et Le Roi de Rome (Complete) by J. Donkersley
Cover of the book Tales of the North American Indians by J. Donkersley
Cover of the book Report of the Lords Commissioners for Trade and Plantations on the Petition of the Honourable Thomas Walpole, Benjamin Franklin, John Sargent, and Samuel Wharton, Esquires, and Their Associates, 1772 by J. Donkersley
Cover of the book The Bride of the Nile (Complete) by J. Donkersley
Cover of the book Paródia ao primeiro canto dos Lusíadas de Camões por quatro estudantes de Évora em 1589 by J. Donkersley
Cover of the book Famous Men and Great Events of the Nineteenth Century by J. Donkersley
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy