Crossover Stardom

Popular Male Music Stars in American Cinema

Nonfiction, Entertainment, Film, History & Criticism, Music, Social & Cultural Studies, Social Science
Cover of the book Crossover Stardom by Julie Lobalzo Wright, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julie Lobalzo Wright ISBN: 9781628925791
Publisher: Bloomsbury Publishing Publication: December 28, 2017
Imprint: Bloomsbury Academic Language: English
Author: Julie Lobalzo Wright
ISBN: 9781628925791
Publisher: Bloomsbury Publishing
Publication: December 28, 2017
Imprint: Bloomsbury Academic
Language: English

Crossover Stardom: Popular Male Stars in American Cinema focuses on male music stars who have attempted to achieve film stardom. Crossover stardom can describe stars who cross from one medium to another. Although 'crossover' has become a popular term to describe many modern stars who appear in various mediums, crossover stardom has a long history, going back to the beginning of the cinema. Lobalzo Wright begins with Bing Crosby, a significant Hollywood star in the studio era; moving to Elvis Presley in the 1950s and 1960s, as the studio system collapsed; to Kris Kristofferson in the New Hollywood period of the 1970s; and ending with Will Smith and Justin Timberlake, in the contemporary era, when corporate conglomerates dominate Hollywood. Thus, the study not only explores music stardom (and music genres) in various eras, and masculinity within these periods, it also surveys the history of American cinema from industrial and cultural perspectives, from the 1930s to today.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Crossover Stardom: Popular Male Stars in American Cinema focuses on male music stars who have attempted to achieve film stardom. Crossover stardom can describe stars who cross from one medium to another. Although 'crossover' has become a popular term to describe many modern stars who appear in various mediums, crossover stardom has a long history, going back to the beginning of the cinema. Lobalzo Wright begins with Bing Crosby, a significant Hollywood star in the studio era; moving to Elvis Presley in the 1950s and 1960s, as the studio system collapsed; to Kris Kristofferson in the New Hollywood period of the 1970s; and ending with Will Smith and Justin Timberlake, in the contemporary era, when corporate conglomerates dominate Hollywood. Thus, the study not only explores music stardom (and music genres) in various eras, and masculinity within these periods, it also surveys the history of American cinema from industrial and cultural perspectives, from the 1930s to today.

More books from Bloomsbury Publishing

Cover of the book The Cheviot, the Stag and the Black, Black Oil by Julie Lobalzo Wright
Cover of the book Francesca by Julie Lobalzo Wright
Cover of the book Badiou and Indifferent Being by Julie Lobalzo Wright
Cover of the book London Plaques by Julie Lobalzo Wright
Cover of the book The Inbetweenness of Things by Julie Lobalzo Wright
Cover of the book A History of the World in 100 Weapons by Julie Lobalzo Wright
Cover of the book The Friday Night Effect by Julie Lobalzo Wright
Cover of the book Modelling the F4F Wildcat by Julie Lobalzo Wright
Cover of the book What is the Point of Being a Christian? by Julie Lobalzo Wright
Cover of the book Getting it Right in Reception by Julie Lobalzo Wright
Cover of the book Swimming Home by Julie Lobalzo Wright
Cover of the book Hermeneutics After Ricoeur by Julie Lobalzo Wright
Cover of the book Lost Cities by Julie Lobalzo Wright
Cover of the book The Cold War by Julie Lobalzo Wright
Cover of the book Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo by Julie Lobalzo Wright
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy