Form and function of Paris representation in Hemingway's 'A Moveable Feast'

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Form and function of Paris representation in Hemingway's 'A Moveable Feast' by Olga Nikitina, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Olga Nikitina ISBN: 9783638878951
Publisher: GRIN Verlag Publication: December 18, 2007
Imprint: GRIN Verlag Language: English
Author: Olga Nikitina
ISBN: 9783638878951
Publisher: GRIN Verlag
Publication: December 18, 2007
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 1,3, University of Bonn, 10 entries in the bibliography, language: English, abstract: A Moveable Feast deals with the years 1921 to 1926 spent by Hemingway as a young man at the beginning of his literary carrier in Paris. He started to write it in 1958 and it actually remained unfinished when he committed suicide in 1961. Taking into account the fact that at that time Hemingway had already written all his best books, that in 1953 he was awarded The Pulitzer Prize and in 1954 - the Nobel Prize for Literature, one could suppose that the book was written by a successful and confident author who looked back at his young years with a gentle smile (sort of 'how it all started') probably not without nostalgia. But if one takes a closer look at Hemingway's biography one finds out that the Paris book was being written by the 'the rapidly ageing Ernest' [Svoboda, p.159] in the midst of health problems and family pressure, probably foreseeing the end of his literary career, suffering from continuous depressions and paranoia. Add to all this repercussions of the two plane crashes which he survived and the loss of the mother, Pauline Hemingway and his close friend and editor Charles Scribner and you will be able to imagine (probably quite remotely) what Hemingway's state of mind really was while he was writing the book in question. What could be the message of the book written under such circumstances - at the top of the literary career and facing the gap of despair? Was it an attempt to explain to himself what he had done wrong with his life, to calculate what had been lost and what had been gained during Paris years or to prove that in spite of increasing difficulties with writing he is still a great writer? Was he trying to show what had made him the kind of writer he was and (as he desperately hoped) still kept him on the top or was he simply recollecting the old happy times in order to forget the present frustration? And what is the function of the main character of the Paris book - Paris itself? In the following work we shall try to answer the last question as well as we can.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 1,3, University of Bonn, 10 entries in the bibliography, language: English, abstract: A Moveable Feast deals with the years 1921 to 1926 spent by Hemingway as a young man at the beginning of his literary carrier in Paris. He started to write it in 1958 and it actually remained unfinished when he committed suicide in 1961. Taking into account the fact that at that time Hemingway had already written all his best books, that in 1953 he was awarded The Pulitzer Prize and in 1954 - the Nobel Prize for Literature, one could suppose that the book was written by a successful and confident author who looked back at his young years with a gentle smile (sort of 'how it all started') probably not without nostalgia. But if one takes a closer look at Hemingway's biography one finds out that the Paris book was being written by the 'the rapidly ageing Ernest' [Svoboda, p.159] in the midst of health problems and family pressure, probably foreseeing the end of his literary career, suffering from continuous depressions and paranoia. Add to all this repercussions of the two plane crashes which he survived and the loss of the mother, Pauline Hemingway and his close friend and editor Charles Scribner and you will be able to imagine (probably quite remotely) what Hemingway's state of mind really was while he was writing the book in question. What could be the message of the book written under such circumstances - at the top of the literary career and facing the gap of despair? Was it an attempt to explain to himself what he had done wrong with his life, to calculate what had been lost and what had been gained during Paris years or to prove that in spite of increasing difficulties with writing he is still a great writer? Was he trying to show what had made him the kind of writer he was and (as he desperately hoped) still kept him on the top or was he simply recollecting the old happy times in order to forget the present frustration? And what is the function of the main character of the Paris book - Paris itself? In the following work we shall try to answer the last question as well as we can.

More books from GRIN Verlag

Cover of the book Wie wird Teamcoaching erfolgreich? by Olga Nikitina
Cover of the book Das Märchen im Medienzeitalter und sein möglicher Beitrag zur Persönlichkeitsentwicklung by Olga Nikitina
Cover of the book Illegale Migration - eine Herausforderung für die Soziale Arbeit by Olga Nikitina
Cover of the book Praxisanleiterqualifizierung für OP/ Anästhesie by Olga Nikitina
Cover of the book Clothing and Its Connotations in Postmodern American Fiction by Olga Nikitina
Cover of the book Inwiefern dient die Erziehung dem Kind? Die Erziehungskonzepte von Niklas Luhmann und Pierre Bourdieu im Vergleich by Olga Nikitina
Cover of the book Der lange Weg nach Europa - Spanien und Portugal im 20. Jahrhundert by Olga Nikitina
Cover of the book Die 'Times' zu den Ereignissen in und um Paris zwischen Beginn der Bombardierung und Niederschlagung der Commune (1870/71) by Olga Nikitina
Cover of the book Communication and Society in Jewish American Short Stories: Isaac Bashevis Singer, Bernard Malamud, Grace Paley and Philip Roth by Olga Nikitina
Cover of the book Die Rolle der bürgerlichen Frauen in Deutschland by Olga Nikitina
Cover of the book Die Vermittlung der Grobform des Fosbury-Flops im Sportunterricht Klasse 9 by Olga Nikitina
Cover of the book Bildungsvorstellungen, Einstellung zur Lernfähigkeit und Lernbegriff älterer Erwachsener by Olga Nikitina
Cover of the book Karteninterpretation - Kartenblatt Freiburg i. Br. - Nord, Nr. 7912 (1:50.000) by Olga Nikitina
Cover of the book Britannia rule the waves. Die Royal Navy als Trägerin des britischen Weltreichs by Olga Nikitina
Cover of the book Der ökonomische Kannibalismus by Olga Nikitina
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy